Villa Sin Miedo in The Exhibition Contrasts By Jack and Irene Delano
Historian and writer Ana Juarbe writes in an article titled "Imposing the Past on the Present: History, the Public, and the Columbus Quincentenary" about the photographs of Villa Sin Miedo in Jack Delano's exhibition that "despite US citizenship, Puerto Rican national sentiment is convincingly expressed by land rescuers from a community known as "Villa Sin Miedo".
Read more about this topic: Villa Sin Miedo
Famous quotes containing the words sin, exhibition, contrasts and/or jack:
“Who are you to condemn another’s sin? He who condemns sin becomes part of it, espouses it.”
—Georges Bernanos (1888–1948)
“Work, as we usually think of it, is energy expended for a further end in view; play is energy expended for its own sake, as with children’s play, or as manifestation of the end or goal of work, as in “playing” chess or the piano. Play in this sense, then, is the fulfillment of work, the exhibition of what the work has been done for.”
—Northrop Frye (1912–1991)
“The American man is a very simple and cheap mechanism. The American woman I find a complicated and expensive one. Contrasts of feminine types are possible. I am not absolutely sure that there is more than one American man.”
—Henry Brooks Adams (1838–1918)
“Wild Bill was indulging in his favorite pastime of a friendly game of cards in the old No. 10 saloon. For the second time in his career, he was sitting with his back to an open door. Jack McCall walked in, shot him through the back of the head, and rushed from the place, only to be captured shortly afterward. Wild Bill’s dead hand held aces and eights, and from that time on this has been known in the West as “the dead man’s hand.””
—State of South Dakota, U.S. public relief program (1935-1943)