Victorian Dress Reform - Artistic Dress Movement

Artistic Dress Movement

The Pre-Raphaelite Brotherhood and other artistic reformers objected to the elaborately trimmed confections of Victorian fashion with their unnatural silhouette based on a rigid corset and hoops as both ugly and dishonest. Their wives and models adopted a revival style based on romanticised medieval influences such as puffed juliette sleeves and trailing skirts. These were made in the soft colors of vegetable dyes, and were ornamented with hand embroidery in the art needlework style.

The style spread as an "anti-fashion" called Artistic dress in the 1860s in literary and artistic circles, died back in the 1870s, and reemerged as Aesthetic dress in the 1880s, where the emphasis was not so much on honesty and purity as sensuality and languor.

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Famous quotes containing the words artistic, dress and/or movement:

    The true, prescriptive artist strives after artistic truth; the lawless artist, following blind instinct, after an appearance of naturalness. The one leads to the highest peaks of art, the other to its lowest depths.
    Johann Wolfgang Von Goethe (1749–1832)

    There is not enough exercise in this way of life. I try to make up by active gymnastics before I dress when I get up, by walking rapidly in the lower hall and the greenhouse after each meal for perhaps five to ten minutes, and a good hand rubbing before going to bed. I eat moderately; drink one cup of coffee at breakfast and one cup of tea at lunch and no other stimulant. My health is now, and usually, excellent.
    Rutherford Birchard Hayes (1822–1893)

    When it had long since outgrown his purely medical implications and become a world movement which penetrated into every field of science and every domain of the intellect: literature, the history of art, religion and prehistory; mythology, folklore, pedagogy, and what not.
    Thomas Mann (1875–1955)