Artistic Dress Movement
The Pre-Raphaelite Brotherhood and other artistic reformers objected to the elaborately trimmed confections of Victorian fashion with their unnatural silhouette based on a rigid corset and hoops as both ugly and dishonest. Their wives and models adopted a revival style based on romanticised medieval influences such as puffed juliette sleeves and trailing skirts. These were made in the soft colors of vegetable dyes, and were ornamented with hand embroidery in the art needlework style.
The style spread as an "anti-fashion" called Artistic dress in the 1860s in literary and artistic circles, died back in the 1870s, and reemerged as Aesthetic dress in the 1880s, where the emphasis was not so much on honesty and purity as sensuality and languor.
Read more about this topic: Victorian Dress Reform
Famous quotes containing the words artistic, dress and/or movement:
“Few artists can afford artistic temperament.”
—Mason Cooley (b. 1927)
“I feel no more like a man now than I did in long skirts, unless it be that enjoying more freedom and cutting off the fetters is to be like a man. I suppose in that respect we are more mannish, for we know that in dress, as in all things else, we have been and are slaves, while man in dress and all things else is free.”
—Amelia Bloomer (1818–1894)
“... contemporary black women felt they were asked to choose between a black movement that primarily served the interests of black male patriarchs and a women’s movement which primarily served the interests of racist white women.”
—bell hooks (b. c. 1955)