Architecture and Furnishing
Architecture in the Victorian era was very elaborate, romantic, and emotional. The architecture of the house advertised the amount of money that the owner had. Houses were very large with many small rooms: each room had a particular function "a place for everything and everything in its place." Houses had ballrooms, morning rooms, sitting rooms, libraries, piano rooms, etc. Houses often were set in the middle or towards the back of lots. The exteriors of houses were often brightly colored with false fronts and false chimneys. The interiors were dark with heavy drapes, dark wood, dark wall paper, and hard wood flooring. Many houses had two hallways and two staircases, one grand for company, and one plain for the children and servants. The staircase for guests allowed for dramatic entrances. The back halls and private rooms were not decorative and were plain with whitewash and wooden floors. The public areas of the house were displays of wealth and virtue. It was an age of materialism, and Victorian houses were correspondingly larger. The Victorians also despised pragmatism and hid the functions of furnishings.
Read more about this topic: Victorian America
Famous quotes containing the words architecture and, architecture and/or furnishing:
“Defaced ruins of architecture and statuary, like the wrinkles of decrepitude of a once beautiful woman, only make one regret that one did not see them when they were enchanting.”
—Horace Walpole (1717–1797)
“The two elements the traveler first captures in the big city are extrahuman architecture and furious rhythm. Geometry and anguish. At first glance, the rhythm may be confused with gaiety, but when you look more closely at the mechanism of social life and the painful slavery of both men and machines, you see that it is nothing but a kind of typical, empty anguish that makes even crime and gangs forgivable means of escape.”
—Federico García Lorca (1898–1936)
“The poet needs a ground in popular tradition on which he may work, and which, again, may restrain his art within the due temperance. It holds him to the people, supplies a foundation for his edifice; and, in furnishing so much work done to his hand, leaves him at leisure, and in full strength for the audacities of his imagination.”
—Ralph Waldo Emerson (1803–1882)