Victoria Ruffo - Television

Television

  • 2012-2013: Corona de lágrimas (2012 telenovela) -Refugio Chavero (Remake of a very successful movie starring Marga Lopez)
  • 2010-10: Triunfo del Amor - Victoria Sandoval, Casa Victoria's head fashion designer
  • 2009: La Rosa De Guadalupe - Carolina Lopez Hernandez
  • 2008-09: En Nombre del Amor - Macarena Espinoza de los Monteros (dies by severe head injuries at her home)
  • 2007: Victoria - Victoria Santiesteban de Mendoza (2007/08)
  • 2005 and 2007: La Madrastra - Maria Frenandez Acuña de San Roman
  • 2001: Mujer, casos de la vida real - Sarai
  • 2000-01: Abrázame Muy Fuerte - Cristina Álvarez Rivas de Rivero (2000/01)
  • 1998: Vivo por Elena - Elena
  • 1995: Pobre niña rica - Consuelo Villagran Garcia-Mora
  • 1993: Advertising of MMM
  • 1993: Al derecho y al derbez
  • 1992-93: Capricho - Cristina (1992/93)
  • 1989-90: Simplemente María - María López (1989/90)
  • 1987: Victoria - Victoria
  • 1985: Juana Iris - Juana Iris
  • 1983: La Fiera - Natalie
  • 1982: En busca del paraíso - Grisel
  • 1982: Quiéreme siempre - Julia
  • 1980: Al rojo vivo - Pilar Álvarez
  • 1980: Conflictos de un médico

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Famous quotes containing the word television:

    Television ... helps blur the distinction between framed and unframed reality. Whereas going to the movies necessarily entails leaving one’s ordinary surroundings, soap operas are in fact spatially inseparable from the rest of one’s life. In homes where television is on most of the time, they are also temporally integrated into one’s “real” life and, unlike the experience of going out in the evening to see a show, may not even interrupt its regular flow.
    Eviatar Zerubavel, U.S. sociologist, educator. The Fine Line: Making Distinctions in Everyday Life, ch. 5, University of Chicago Press (1991)

    In full view of his television audience, he preached a new religion—or a new form of Christianity—based on faith in financial miracles and in a Heaven here on earth with a water slide and luxury hotels. It was a religion of celebrity and showmanship and fun, which made a mockery of all puritanical standards and all canons of good taste. Its standard was excess, and its doctrines were tolerance and freedom from accountability.
    New Yorker (April 23, 1990)

    The technological landscape of the present day has enfranchised its own electorates—the inhabitants of marketing zones in the consumer goods society, television audiences and news magazine readerships... vote with money at the cash counter rather than with the ballot paper at the polling booth.
    —J.G. (James Graham)