Victor Erofeyev

Victor Erofeyev

Victor Vladimirovich Erofeyev (Russian: Ви́ктор Влади́мирович Ерофе́ев, sometimes transliterated as Yerofeyev; born September 19, 1947, Moscow) is a Russian writer. As son of a high-ranking Soviet diplomat Vladimir Erofeyev, he spent some of his childhood in Paris, which accounts for why much of his work has been translated from Russian into French, while comparatively little has reached English. His father, who was the interpreter for Molotov in the forties, has written a very interesting book of memories; his brother, is a curator at the Tretyakov Gallery.

Erofeyev graduated from Moscow State University in 1970, where he studied literature and languages. He then did post-graduate work at the Institute for World Literature in Moscow, where he completed his post-graduate work in 1973 and received his kandidat degree in 1975 for his thesis on Fyodor Dostoyevsky and French existentialism. Erofeyev's work often contains pastiches of Dostoyevsky's work and themes.

He became a literary critic, publishing works on Lev Shestov and the Marquis de Sade. He later organised his own literary magazine, Metropol, in which many of the big names of Soviet literature participated, including Vasily Aksyonov, Andrei Bitov, Bella Akhmadulina, and others. The magazine was put into circulation via samizdat, i.e., avoiding Soviet censorship. As a result, Erofeyev was expelled from the Union of Soviet Writers and was banned from being published until 1988, when Mikhail Gorbachev came to power.

Victor Erofeyev currently resides in Moscow and frequently appears on Russian television, where he has his own program on the channel «Kultura» ("culture"); he also has a program on Radio Liberty, Moscow.

Alfred Schnittke's opera Life with an Idiot is based on his story with the same name, which he made into a libretto for the composer.

Read more about Victor Erofeyev:  Major Works, Article, Bibliography

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    The Poor Man whom everyone speaks of, the Poor Man whom everyone pities, one of the repulsive Poor from whom “charitable” souls keep their distance, he has still said nothing. Or, rather, he has spoken through the voice of Victor Hugo, Zola, Richepin. At least, they said so. And these shameful impostures fed their authors. Cruel irony, the Poor Man tormented with hunger feeds those who plead his case.
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