Vibrato Systems For Guitar - Origin of Names

Origin of Names

Historically, some electric guitarists have reversed the normal meanings of the terms vibrato and tremolo when referring to hardware devices and the effects they produce. This reversal of terminology is generally attributed to Leo Fender and the naming of the Fender "Vibroverb" amplifier, which actually used tremolo (rapid volume changes) in an attempt to create a vibrato-like (rapid changes in pitch) sound. See vibrato unit for details of the history of these terms in relation to electric guitar, and related issues. Ironically, Fender had previously introduced the "Tremolux" amplifier in 1953, which used the correct terminology.

While the (so-called) "tremolo arm" can produce variations of pitch including what is normally termed vibrato, it can never produce the effect normally known as tremolo (modulation of volume). Tremolo, on the other hand, is exactly the effect produced by the electronic vibrato units built into many classic guitar amplifiers. Other widely used names for the device include "vibrato bar" and "whammy bar", the latter named in reference to guitarist Lonnie Mack's aggressive, rapid manipulation of the pitch-bending device in his 1963 song "Wham!".

Read more about this topic:  Vibrato Systems For Guitar

Famous quotes containing the words origin of, origin and/or names:

    The essence of morality is a questioning about morality; and the decisive move of human life is to use ceaselessly all light to look for the origin of the opposition between good and evil.
    Georges Bataille (1897–1962)

    Someone had literally run to earth
    In an old cellar hole in a byroad
    The origin of all the family there.
    Thence they were sprung, so numerous a tribe
    That now not all the houses left in town
    Made shift to shelter them without the help
    Of here and there a tent in grove and orchard.
    Robert Frost (1874–1963)

    Publicity in women is detestable. Anonymity runs in their blood. The desire to be veiled still possesses them. They are not even now as concerned about the health of their fame as men are, and, speaking generally, will pass a tombstone or a signpost without feeling an irresistible desire to cut their names on it.
    Virginia Woolf (1882–1941)