Description
In fighter mode, the VF-25 resembles a twin-engined single-seater jet aircraft, with features similar to the real-life Sukhoi Su-27 and Grumman F-14 Tomcat such as a similar nose structure, a bubble canopy with bow and stern frames, a flattened out after-fuselage, variable-geometry wings, and outward-canted twin tails, which are roughly mirrored by twin fins on the fuselage's underside. Assisting the onboard flight control surfaces is an array of vernier thrusters that allow precision maneuvering. A detachable GU-17 gatling gun pod is stowed ventrally between the craft's two engines. In addition to the gun pod, built-in weapons include beam weaponry, head-mounted lasers and a large combat knife (for use in GERWALK or Battroid modes) that can be reinforced by the fighter's own pin-point barrier system.
External equipment (FAST Packs - divided into "Super Packs" and "Armor Packs" in the TV series, as well as "Tornado Packs" in the movie) can be added to improve craft capabilities in some manner. Of note is that the real-life mechanical designer, Shōji Kawamori, deliberately gave the VF-25 a slim profile to allow transformations to GERWALK or Battroid modes occur with full armor packs still attached; this is in contrast to most of the earlier variable fighter designs, in which the attachments had to be ejected first due to their physically obstructive nature. Functioning as the "ejection seat" is the pilot's worn flight-capable EX-Gear powered exoskeleton, which usually stays linked to the cockpit systems.
Copying real-world nomenclature, the deployed variants of the VF-25 have differing designations, outlined below.
Read more about this topic: VF-25 Messiah
Famous quotes containing the word description:
“To give an accurate description of what has never occurred is not merely the proper occupation of the historian, but the inalienable privilege of any man of parts and culture.”
—Oscar Wilde (18541900)
“The next Augustan age will dawn on the other side of the Atlantic. There will, perhaps, be a Thucydides at Boston, a Xenophon at New York, and, in time, a Virgil at Mexico, and a Newton at Peru. At last, some curious traveller from Lima will visit England and give a description of the ruins of St. Pauls, like the editions of Balbec and Palmyra.”
—Horace Walpole (17171797)
“Everything to which we concede existence is a posit from the standpoint of a description of the theory-building process, and simultaneously real from the standpoint of the theory that is being built. Nor let us look down on the standpoint of the theory as make-believe; for we can never do better than occupy the standpoint of some theory or other, the best we can muster at the time.”
—Willard Van Orman Quine (b. 1908)