Film and Fashion
As America’s premier dance team, the Castles were trendsetters in a number of arenas. Their infectious enthusiasm for dance encouraged admirers to try new forms of social dance. Considered paragons of respectability and class, the Castles specifically helped remove the stigma of vulgarity from close dancing. The Castles’ performances, often set to ragtime and jazz rhythms, also popularized African-American music among well-heeled whites. The Castles appeared in a newsreel called Social and Theatrical Dancing in 1914 and wrote a bestselling instructional book, Modern Dancing, later the same year. The pair also starred in a feature film called The Whirl of Life (1915), which was well received by critics and public alike.
As the couple's celebrity increased in the mid-1910s, Irene Castle became a major fashion trendsetter, initiating the vogue for shorter skirts. She is also credited with introducing American women to the bob – the short hairstyle favored by flappers in the 1920s. Her elegant, yet simple, flowing gowns worn in performance were often featured in fashion magazines. These were often supplied by the couturier "Lucile", but Irene also designed some of her clothes herself. The whisper-thin, elegant Castles were trendsetters in other ways: they traveled with a black orchestra, had an openly lesbian manager, and were animal-rights advocates decades before it became a public issue.
The Castles endorsed Victor Records and Victrolas, issuing records by the Castle House Orchestra, led by James Reese Europe, a pioneering figure in African-American music. They also lent their names to advertising for other products, from cigars and cosmetics to shoes and hats.
Read more about this topic: Vernon And Irene Castle
Famous quotes containing the words film and/or fashion:
“Film as dream, film as music. No art passes our conscience in the way film does, and goes directly to our feelings, deep down into the dark rooms of our souls.”
—Ingmar Bergman (b. 1918)
“His reversed body gracefully curved, his brown legs hoisted like a Tarentine sail, his joined ankles tacking, Van gripped with splayed hands the brow of gravity, and moved to and fro, veering and sidestepping, opening his mouth the wrong way, and blinking in the odd bilboquet fashion peculiar to eyelids in his abnormal position. Even more extraordinary than the variety and velocity of the movements he made in imitation of animal hind legs was the effortlessness of his stance.”
—Vladimir Nabokov (18991977)