Venus and Mars - Background and Recording

Background and Recording

After recording Band on the Run as a three-piece with wife Linda and guitarist Denny Laine, McCartney added Jimmy McCulloch on lead guitar and Geoff Britton on drums to the Wings line-up in 1974. Having written several new songs for the next album, McCartney decided upon New Orleans, Louisiana as the recording venue, and Wings headed there in January 1975.

As soon as the sessions began, the personality clash that had been evident between McCulloch and Britton during Wings' 1974 sessions in Nashville became more pronounced, and Britton — after a mere six month stay — quit Wings, having only played on three of the new songs. A replacement, American Joe English, was quickly auditioned and hired to finish the album.

The sessions themselves proved to be very productive, not only finishing the entire album, but also several additional songs including two future McCartney B-sides: "Lunch Box/Odd Sox" and "My Carnival". McCartney also decided to link the songs together much like The Beatles had on Abbey Road to give the album a more continuous feel.

John Lennon, often in a nostalgic mood while in Los Angeles, had told May Pang (his then girlfriend) that he planned to visit the McCartneys during the recording sessions for Venus and Mars, but this was not to be. Lennon's planned visit would be permanently postponed due to his reunion with Yoko Ono.

Read more about this topic:  Venus And Mars

Famous quotes containing the words background and, background and/or recording:

    “... every experience in life enriches one’s background and should teach valuable lessons.”
    —Mary Barnett Gilson (1877–?)

    “In the true sense one’s native land, with its background of tradition, early impressions, reminiscences and other things dear to one, is not enough to make sensitive human beings feel at home.”
    —Emma Goldman (1869–1940)

    “Too many photographers try too hard. They try to lift photography into the realm of Art, because they have an inferiority complex about their Craft. You and I would see more interesting photography if they would stop worrying, and instead, apply horse-sense to the problem of recording the look and feel of their own era.”
    —Jessie Tarbox Beals (1870–1942)