Criticism
While many fans and musicians see Venom as an important band, their music has nonetheless been the subject of debate and criticism. Critic Eduardo Rivadavia of Allmusic writes that though Welcome to Hell influenced "literally thousands" of bands, Venom were "critically reviled". However, critic James Christopher Monger declares that the members of Venom 'grew as musicians' as their careers progressed. Ethnographer Keith Kahn-Harris argues that Venom's limited technical skill, particularly early in their career, was a profound, though inadvertent factor in Venom's influence: being unable to mimic more technically proficient metal of their predecessors or peers, Venom instead opted to focus on sheer speed, creating music that was inspired by earlier metal, yet simultaneously blazed new trails.
In his Black Flag tour diary, singer Henry Rollins wrote about a 1986 performance when Black Flag opened for Venom. He opines that Venom were hilarious, with mediocre playing and a stage performance focused on appearances rather than music; Rollins asserted that the musicians used portable fans to keep their hair flowing while on stage. Rollins wrote, "It was like seeing Spinal Tap ... I expected them to go into 'Sex Farm' at any second." Rollins writes that he and some tourmates drew magic marker pentagrams on their hands to flash at Venom and offer “Hail Satan” salutes. For their final number, Venom asked the audience to chant what Rollins thought was “Black Funky Metal”, which briefly made Rollins suspect that he had overlooked Venom's sense of humor, until he realized Venom were actually saying “Black Fucking Metal”.
Venom's members were apparently well aware that their musical skills were questioned, especially by other bands. During a concert at the Hammersmith Odeon in 1984, guitarist Mantas was doing a between-song rant when he remarked rather loudly: "A lot of bands are out there tonight, waiting for Venom to make a mistake. Well, we are the fucking mistake!"
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Famous quotes containing the word criticism:
“Parents sometimes feel that if they dont criticize their child, their child will never learn. Criticism doesnt make people want to change; it makes them defensive.”
—Laurence Steinberg (20th century)
“The visual is sorely undervalued in modern scholarship. Art history has attained only a fraction of the conceptual sophistication of literary criticism.... Drunk with self-love, criticism has hugely overestimated the centrality of language to western culture. It has failed to see the electrifying sign language of images.”
—Camille Paglia (b. 1947)
“The critic lives at second hand. He writes about. The poem, the novel, or the play must be given to him; criticism exists by the grace of other mens genius. By virtue of style, criticism can itself become literature. But usually this occurs only when the writer is acting as critic of his own work or as outrider to his own poetics, when the criticism of Coleridge is work in progress or that of T.S. Eliot propaganda.”
—George Steiner (b. 1929)