Culture
The culture of Venezuela is a melting pot which includes mainly three different families: the indigenous, African and Spanish. The first two cultures were in turn differentiated according to the tribes. Acculturation and assimilation, typical of a cultural syncretism, conditioned to arrive at the current Venezuelan culture, similar in many respects to the rest of Latin America, although the natural environment means that there are important differences.
The indigenous influence is limited to a few words of vocabulary and gastronomy, and many place names. The African influence in the same way, in addition to musical instruments like the drum. The Spanish influence was predominant (due to the colonization process and the socioeconomic structure it created) and in particular came from the regions of Andalusia and Extremadura, places of origin most settlers in the Caribbean during the colonial era. As an example of this can include buildings, part of the music, the Catholic religion and language.
Spanish influences are evident in bullfights and certain features of gastronomy. Venezuela was also enriched by other streams of Indian and European origin in the 19th century, especially from France. In the latest stage in the major cities and regions oil of U.S. origin and manifestations of the new immigration of Spanish, Italian and Portuguese, increasing the already complex cultural mosaic. For example, from United States comes the influence of taste for baseball, US-style fast food, and current architectural constructions.
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Famous quotes containing the word culture:
“Unthinking people will often try to teach you how to do the things which you can do better than you can be taught to do them. If you are sure of all this, you can start to add to your value as a mother by learning the things that can be taught, for the best of our civilization and culture offers much that is of value, if you can take it without loss of what comes to you naturally.”
—D.W. Winnicott (20th century)
“Both cultures encourage innovation and experimentation, but are likely to reject the innovator if his innovation is not accepted by audiences. High culture experiments that are rejected by audiences in the creator’s lifetime may, however, become classics in another era, whereas popular culture experiments are forgotten if not immediately successful. Even so, in both cultures innovation is rare, although in high culture it is celebrated and in popular culture it is taken for granted.”
—Herbert J. Gans (b. 1927)
“The second fundamental feature of culture is that all culture has an element of striving.”
—Johan Huizinga (1872–1945)