Film and Television Actress
In March 1957, Stevenson was in the cast of the CBS Playhouse 90 adaptation of Charley's Aunt, alongside Tom Tryon, Jackie Coogan, and Jeanette MacDonald were among the cast in the telecast. Stevenson played Peggy McTavish in Darby's Rangers, a Warner Bros. release in which she was paired off with Peter Brown. She is one of the women who is pursued by actors cast as members of an American unit of the same name during World War II. The movie was directed by William Wellman.
Stevenson's publicity machine continued to promote her. She was reported enjoying riding horses as an activity and playing table tennis. In November 1957, she won $300 in prizes at a horse show and participated at the National Horse Show at the Cow Palace in San Francisco. Around this time she became the face on Sweetheart Stout cans and bottles; the brand marked the 50th anniversary of using her image in 2008.
She appeared in the western drama The Day of the Outlaw (1959), starring Robert Ryan and Tina Louise. Stevenson appeared in the English film Jack The Ripper (1960). She also had a primary role, in the film version of the Studs Lonigan trilogy by James T. Farrell, brought to the screen in December 1960. Among the other motion pictures in which she appears are Island of Lost Women (1959), Jet Over The Atlantic (1959), The Big Night (1960), Seven Ways from Sundown (1960), The City of the Dead aka Horror Hotel (1960), and The Sergeant Was a Lady (1961).
Stevenson appeared on television, in episodes of Cheyenne (1957), Colt .45 (1958), Sugarfoot (1957-1958), 3 episodes, 77 Sunset Strip (1958), The Adventures of Ozzie and Harriet (1958), Lawman (1958), The Millionaire (1959), The Third Man (1959), and Alfred Hitchcock Presents (1960).
Read more about this topic: Venetia Stevenson
Famous quotes containing the words film and television, film and, film, television and/or actress:
“The obvious parallels between Star Wars and The Wizard of Oz have frequently been noted: in both there is the orphan hero who is raised on a farm by an aunt and uncle and yearns to escape to adventure. Obi-wan Kenobi resembles the Wizard; the loyal, plucky little robot R2D2 is Toto; C3PO is the Tin Man; and Chewbacca is the Cowardly Lion. Darth Vader replaces the Wicked Witch: this is a patriarchy rather than a matriarchy.”
—Andrew Gordon, U.S. educator, critic. The Inescapable Family in American Science Fiction and Fantasy Films, Journal of Popular Film and Television (Summer 1992)
“The obvious parallels between Star Wars and The Wizard of Oz have frequently been noted: in both there is the orphan hero who is raised on a farm by an aunt and uncle and yearns to escape to adventure. Obi-wan Kenobi resembles the Wizard; the loyal, plucky little robot R2D2 is Toto; C3PO is the Tin Man; and Chewbacca is the Cowardly Lion. Darth Vader replaces the Wicked Witch: this is a patriarchy rather than a matriarchy.”
—Andrew Gordon, U.S. educator, critic. The Inescapable Family in American Science Fiction and Fantasy Films, Journal of Popular Film and Television (Summer 1992)
“Film is more than the twentieth-century art. Its another part of the twentieth-century mind. Its the world seen from inside. Weve come to a certain point in the history of film. If a thing can be filmed, the film is implied in the thing itself. This is where we are. The twentieth century is on film.... You have to ask yourself if theres anything about us more important than the fact that were constantly on film, constantly watching ourselves.”
—Don Delillo (b. 1926)
“Anyone afraid of what he thinks television does to the world is probably just afraid of the world.”
—Clive James (b. 1939)
“For an actress to be a success, she must have the face of Venus, the brains of a Minerva, the grace of Terpsichore, the memory of a Macaulay, the figure of Juno, and the hide of a rhinoceros.”
—Ethel Barrymore (18971959)