History
The Library was created by Lowrie J. Daly (1914–2000), with funding from the Knights of Columbus. The goal was to make Vatican and other documents more available to researchers in North America.
Microfilming of Vatican manuscripts began in 1951, and according to the Library's website, was the largest microfilming project that had been undertaken up to that date. From 1951-1957, twelve million manuscript pages were recorded, from 30,000 different works. This represents approximately 75% of the manuscripts available in the targeted language groups. Other microfilm projects in the 1950s included Jesuit archival material from Rome, archives in both North America and South America, and the Philippines.
The Library opened in 1953, and moved to the St. Louis University campus, in the Pius XII Memorial Library, in 1959. The first librarian was Charles J. Ermatinger, who served until 2000.
As of 2007, the Library has microfilmed versions of over 37,000 manuscripts, with material in Greek, Latin, Arabic, Hebrew and Ethiopic, as well as several more common Western European languages. There are reproductions of many works from the Biblioteca Palatina and Biblioteca Cicognara at the Vatican, as well as Papal letter registers from the Archivio Segreto Vaticano (Vatican Secret Archives) from the 9th to 16th centuries, in the series Registra Vaticana and Registra Supplicationium.
The Film Library also collects manuscript catalogs and handwritten inventories of Vatican Library manuscripts, as well as those of other libraries, including a collection of microfilmed copies of over 2,500 medieval and renaissance manuscripts from other libraries, over 20,000 incunabula (early printed books), and 52,000 color slides of illuminated manuscripts.
The collection also includes many hardcopy works on the subjects of palaeography, codicology, illumination, and other topics related to manuscript studies.
Read more about this topic: Vatican Film Library
Famous quotes containing the word history:
“In the history of the United States, there is no continuity at all. You can cut through it anywhere and nothing on this side of the cut has anything to do with anything on the other side.”
—Henry Brooks Adams (1838–1918)
“A poet’s object is not to tell what actually happened but what could or would happen either probably or inevitably.... For this reason poetry is something more scientific and serious than history, because poetry tends to give general truths while history gives particular facts.”
—Aristotle (384–323 B.C.)
“There are two great unknown forces to-day, electricity and woman, but men can reckon much better on electricity than they can on woman.”
—Josephine K. Henry, U.S. suffragist. As quoted in History of Woman Suffrage, vol. 4, ch. 15, by Susan B. Anthony and Ida Husted Harper (1902)