Approach To Biography
The film is noted for its anti-melodramatic and unsensationalistic approach to Van Gogh's life. For this reason is often contrasted with Vincente Minnelli's Van Gogh film Lust for Life. Very little time is devoted to Van Gogh's art and work, with the bulk of the 158-minute running time occupied by the artist's often difficult personal relationships and declining mental state. The film omits any references to many of the most famous incidents in Van Gogh's life (including his attempt to cut off his ear in 1888) in favor of concentrating on the social dynamics of the late 19th century.
Writing in The Washington Post, critic Desson Howe explains: "In the movie, you don't see Van Gogh (Jacques Dutronc) complete the final brush stroke of a masterpiece, then call up old Gauguin for a celebratory absinthe. You do see a thin, stringy man, suffering from headaches, enjoying whores and moping around irascibly. Van Gogh denies you familiar highlights, keeps you from his working elbow and avoids the Ear Thing. But it shows you the quotidian stuff in between. This is the story of an artist being human, carrying canvases out or lugging them back in – their famous images intentionally out of sight."
Read more about this topic: Van Gogh (1991 Film)
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