Life and Career
She appeared as Baroness Frankenstein in Bride of Frankenstein (1935) with Boris Karloff and Colin Clive, taking over the role from Mae Clarke, who had played it in the original Frankenstein (1931). Hobson also played opposite Henry Hull that same year in Werewolf of London, the first Hollywood werewolf film, predating The Wolf Man by six years.
The latter half of the 1940s saw Hobson in perhaps her two most memorable roles: as the adult Estella in David Lean's 1946 adaptation of Great Expectations, and as the refined and virtuous Edith D'Ascoyne in the 1949 black comedy Kind Hearts and Coronets.
In 1952 she divorced her first husband, film producer Sir Anthony Havelock-Allan (1904–2003), and married MP John Profumo (1915–2006) in 1954, giving up acting shortly afterwards.
Valerie Hobson's last starring role was in the original London production of Rodgers and Hammerstein's musical play The King and I which opened at the Theatre Royal, Drury Lane on October 8, 1953. She played Mrs. Anna Leonowens opposite Herbert Lom's King. The show ran for 926 performances.
After Profumo's ministerial career ended in disgrace in 1963, following revelations he had lied to the House of Commons about his affair with Christine Keeler, she stood by him, and they worked together for charity for the remainder of her life, though she did miss their more public life.
Hobson's eldest son, Simon Anthony Clerveaux Havelock-Allan, was born in May 1944 with Down's Syndrome. Her middle child, Mark Havelock-Allan, was born on 4 April 1951 and became a judge. Her youngest child is author David Profumo, (b. 16 October 1955) who wrote Bringing the House Down: A Family Memoir (2006) about the scandal. In it he writes his parents told him nothing of the scandal and that he learned of it from another boy at school.
She died of a heart attack in London in 1998 and is buried in Surrey, England.
Read more about this topic: Valerie Hobson
Famous quotes containing the words life and, life and/or career:
“The ancients adorned their sarcophagi with the emblems of life and procreation, and even with obscene symbols; in the religions of antiquity the sacred and the obscene often lay very close together. These men knew how to pay homage to death. For death is worthy of homage as the cradle of life, as the womb of palingenesis.”
—Thomas Mann (1875–1955)
“What had really caused the women’s movement was the additional years of human life. At the turn of the century women’s life expectancy was forty-six; now it was nearly eighty. Our groping sense that we couldn’t live all those years in terms of motherhood alone was “the problem that had no name.” Realizing that it was not some freakish personal fault but our common problem as women had enabled us to take the first steps to change our lives.”
—Betty Friedan (20th century)
“From a hasty glance through the various tests I figure it out that I would be classified in Group B, indicating “Low Average Ability,” reserved usually for those just learning to speak the English Language and preparing for a career of holding a spike while another man hits it.”
—Robert Benchley (1889–1945)