USGA Museum - Museum Exhibits

Museum Exhibits

The USGA Museum showcases the nation’s largest and most significant collection of golf artifacts and documents. The interactive multimedia exhibits tell the story of the game’s development in the United States, highlighting the greatest moments in the game's history, with a particular focus on USGA champions and championships.

The Spirit of Championship Golf

A six-minute introductory film – "The Spirit of Championship Golf" – brings visitors into the world of USGA championships, exploring the physical, mental, and emotional skills required to excel at the game’s highest level. The program comprises interviews with USGA national champions, including some of the game’s most popular players such as Hale Irwin, Peter Jacobsen, Nancy Lopez, Arnold Palmer, and Annika Sörenstam.

The Hall of Champions

The Hall of Champions, the signature architectural space in the Arnold Palmer Center for Golf History, celebrates every USGA champion and championship to date. The oval rotunda, illuminated by a clerestory, houses all 13 USGA national championship trophies, while the names of every USGA champion, such as eight-time winners Bobby Jones and Tiger Woods, are inscribed on bronze panels that encircle the room.

Permanent Galleries

The Permanent Galleries in the USGA Museum tell the story of golf in America, from the late 19th century to the present. Each gallery focuses on an era and iconic moment – champions and events in the game’s history that are pivotal for understanding the growth, evolution, and significance of the game in U.S. history. Special rooms are dedicated to Bobby Jones, Ben Hogan, and Arnold Palmer.

Read more about this topic:  USGA Museum

Famous quotes containing the words museum and/or exhibits:

    Life is in the mouth; death is in the mouth.
    Hawaiian saying no. 60, ‘lelo No’Eau, collected, translated, and annotated by Mary Kawena Pukui, Bishop Museum Press, Hawaii (1983)

    Every woman who visited the Fair made it the center of her orbit. Here was a structure designed by a woman, decorated by women, managed by women, filled with the work of women. Thousands discovered women were not only doing something, but had been working seriously for many generations ... [ellipsis in source] Many of the exhibits were admirable, but if others failed to satisfy experts, what of it?
    Kate Field (1838–1908)