Professional Career
In 1947, Green joined Gene Krupa's band and quickly moved up to Woody Herman's third "Thundering Herd" Big Band in 1950 to play with his brother, Jack. His soaring ballad style was featured on such soloes as Hoagy Carmichael's "Skylark," and provided a contrast to Herman's previous First Herd rough-and-ready trombone star, Bill Harris (musician). In 1953 he moved to New York City, quickly establishing himself as the premier trombonist in the booming recording industry and in 1954 he was voted the "New Star" trombonist in the International Critics Poll from Down Beat magazine. His style was not as blues-influenced as others, in that he was among the few players who commanded the high tessitura favored by Glenn Miller, Tommy Dorsey, and Jack Jenney with an agility that was not shown by these previous trombonists in their recordings. Some of his soloes provided the highlights on one-hit wonder albums from Verve Records, such as that of organist Walter Wanderly, as well as established artists like Herbie Mann.
He was voted "Most Valuable Player" several times by the National Academy of Recording Arts and Sciences. He recorded with virtually all of the major jazz musicians of the 1950s and 1960s and led his own groups while also joining tours as a featured performer, including a three-month tour leading the Benny Goodman Orchestra and fronting the Tommy Dorsey orchestra after Dorsey's death in 1956.
He collaborated with innovative producer Enoch Light for the Command and Project 3 labels, producing what are probably his most notable recordings, such as the two-volume sets The Persuasive Trombone of Urbie Green and 21 Trombones.
In the 1970s Green began making innovations with his instrument. He designed a signature mouthpiece for Jet Tone and collaborated with Martin Brass on practical improvements to trombone design, including modifications of the hand brace and slide, water valve, and finish. Urbie also began experimenting with the "Green Monster", a King trombone using a King Vox Amp pickup in the mouthpiece connected to an octave doubler and reverb unit. Some of his best recordings of the 70s were with Enoch Light and the Light Brigade, Dick Hyman, Maynard Ferguson and Doc Severinsen. After the very productive Enoch Light years, Green's style changed slightly. His recordings under the CTI label contained much more music by Urbie's band and fewer solos by Urbie.
The 1980s and beyond saw a slowing down of Urbie Green's recording career. Both albums recorded by him during this period are live, straight jazz works; Just Friends, and Sea Jam Blues.
Read more about this topic: Urbie Green
Famous quotes containing the words professional and/or career:
“The professional celebrity, male and female, is the crowning result of the star system of a society that makes a fetish of competition. In America, this system is carried to the point where a man who can knock a small white ball into a series of holes in the ground with more efficiency than anyone else thereby gains social access to the President of the United States.”
—C. Wright Mills (1916–1962)
“Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.”
—Lewis H. Lapham (b. 1935)