Up in Michigan - Point of View

Point of View

Though there are two main characters, the point of view is almost entirely Liz's. Jim only speaks five sentences, and readers get only a few brief glimpses inside his head. Liz has fallen in love with the "things" of Jim—his mustache, his white teeth, his walk—but knows nothing about him as a person. Hemingway sympathetically explores her conflicting emotions. He understands the adolescent fantasies of this naive young woman, even as they lead to a brutal conclusion. Like many young women before and after her, she is surely disillusioned, but she will learn from her painful experience. Jim, on the other hand, will wake up and not remember a thing.

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    Only he has the calling for politics who is sure that he will not crumble when the world from his point of view is too stupid or base for what he wants to offer. Only he who in the face of all this can say ‘In spite of all!’ has the calling for politics.
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    A set of ideas, a point of view, a frame of reference is in space only an intersection, the state of affairs at some given moment in the consciousness of one man or many men, but in time it has evolving form, virtually organic extension. In time ideas can be thought of as sprouting, growing, maturing, bringing forth seed and dying like plants.
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