Song Origins
"Various Hands", "The Swelling Of Leeches", and "The Pope Held Upside Down" were originally released on the 12" Nightmare Culture, a split collaboration between Coil and Current 93. "His Body Was A Playground For The Nazi Elite" was originally released on the compilation Ohrensausen under the title of "A Man Named Horst". "Homage To Sewage" was originally released on the compilation "Life At The Top". "Here To Here (Double Headed Secret)" was originally released on the compilation The Beast 666. "S Is For Sleep" was originally released on the compilation "The Elephant Table Album". "Dream Photography" was originally released on the compilation Peyrere. "Comfortable" was originally released on the compilation Raw Like Sewage. "Never" was later released, in an extended form, on The Angelic Conversation. The song originally appeared on the compilation Less Than Angels. In the liner notes, "Penetralia II" is listed as being taken from a limited 7" on the Shock label. However the reference is actually to the Wrong Eye/Scope single, so "Penetralia II" is otherwise unreleased. "Sicktone" was originally released on the compilation The Fight Is On. "How to Destroy Angels" is from the 12" How to Destroy Angels, except it is presented in mono whereas the original was in stereo.
Read more about this topic: Unnatural History
Famous quotes containing the words song and/or origins:
“Turn back,
back
to the lake of Delos;
lest all the song notes
pause and break
across a blood-stained throat....”
—Hilda Doolittle (1886–1961)
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)