University of The Philippines College of Arts and Letters

University Of The Philippines College Of Arts And Letters

Coordinates: 14°39′9″N 121°4′2″E / 14.65250°N 121.06722°E / 14.65250; 121.06722

University of the Philippines Diliman
College of Arts and Letters
Established 1983
Dean Dr. Flora Elena R. Mirano
Location Quezon City, Philippines
Campus Diliman
Former names College of Liberal Arts
Website kal.upd.edu.ph

The College of Arts and Letters (CAL) is one of the academic units in the University of the Philippines Diliman, located along Osmeña Avenue, Diliman, Quezon City, offering many degree programs in the field of arts, literature, linguistics among many others. CAL is housed at three establishments – at the CAL Main Building (where most of the classes are held), Bulwagang Rizal (or Rizal Hall, also known as the Faculty Center) beside Osmeña Avenue, and the Vargas Museum (dedicated to former U.P. alumnus Jorge Vargas, and features the collection of Fernando Amorsolo's artworks as well as the Filipiniana Research Center). The current college dean of CAL is Prof. Elena Rivera Mirano. She succeeded Prof. and National Artist for Literature Virgilio Almario.

Read more about University Of The Philippines College Of Arts And Letters:  About CAL, Academic Departments, Images

Famous quotes containing the words university of, university, college, arts and/or letters:

    In bourgeois society, the French and the industrial revolution transformed the authorization of political space. The political revolution put an end to the formalized hierarchy of the ancien regimé.... Concurrently, the industrial revolution subverted the social hierarchy upon which the old political space was based. It transformed the experience of society from one of vertical hierarchy to one of horizontal class stratification.
    Donald M. Lowe, U.S. historian, educator. History of Bourgeois Perception, ch. 4, University of Chicago Press (1982)

    Television ... helps blur the distinction between framed and unframed reality. Whereas going to the movies necessarily entails leaving one’s ordinary surroundings, soap operas are in fact spatially inseparable from the rest of one’s life. In homes where television is on most of the time, they are also temporally integrated into one’s “real” life and, unlike the experience of going out in the evening to see a show, may not even interrupt its regular flow.
    Eviatar Zerubavel, U.S. sociologist, educator. The Fine Line: Making Distinctions in Everyday Life, ch. 5, University of Chicago Press (1991)

    I never went near the Wellesley College chapel in my four years there, but I am still amazed at the amount of Christian charity that school stuck us all with, a kind of glazed politeness in the face of boredom and stupidity. Tolerance, in the worst sense of the word.... How marvelous it would have been to go to a women’s college that encouraged impoliteness, that rewarded aggression, that encouraged argument.
    Nora Ephron (b. 1941)

    The textile and needlework arts of the world, primarily because they have been the work of women have been especially written out of art history. It is a male idea that to be “high” and “fine” both women and art should be beautiful, but not useful or functional.
    Patricia Mainardi (b. 1942)

    ... all my letters are read. I like that. I usually put something in there that I would like the staff to see. If some of the staff are lazy and choose not to read the mail, I usually write on the envelope “Legal Mail.” This way it will surely be read. It’s important that we educate everybody as we go along.
    Jean Gump, U.S. pacifist. As quoted in The Great Divide, book 2, section 10, by Studs Terkel (1988)