University Of The Philippines College Of Arts And Letters
Coordinates: 14°39′9″N 121°4′2″E / 14.65250°N 121.06722°E / 14.65250; 121.06722
| University of the Philippines Diliman College of Arts and Letters |
|
|---|---|
| Established | 1983 |
| Dean | Dr. Flora Elena R. Mirano |
| Location | Quezon City, Philippines |
| Campus | Diliman |
| Former names | College of Liberal Arts |
| Website | kal.upd.edu.ph |
The College of Arts and Letters (CAL) is one of the academic units in the University of the Philippines Diliman, located along Osmeña Avenue, Diliman, Quezon City, offering many degree programs in the field of arts, literature, linguistics among many others. CAL is housed at three establishments – at the CAL Main Building (where most of the classes are held), Bulwagang Rizal (or Rizal Hall, also known as the Faculty Center) beside Osmeña Avenue, and the Vargas Museum (dedicated to former U.P. alumnus Jorge Vargas, and features the collection of Fernando Amorsolo's artworks as well as the Filipiniana Research Center). The current college dean of CAL is Prof. Elena Rivera Mirano. She succeeded Prof. and National Artist for Literature Virgilio Almario.
Read more about University Of The Philippines College Of Arts And Letters: About CAL, Academic Departments, Images
Famous quotes containing the words university of, university, college, arts and/or letters:
“The great problem of American life [is] the riddle of authority: the difficulty of finding a way, within a liberal and individualistic social order, of living in harmonious and consecrated submission to something larger than oneself.... A yearning for self-transcendence and submission to authority [is] as deeply rooted as the lure of individual liberation.”
—Wilfred M. McClay, educator, author. The Masterless: Self and Society in Modern America, p. 4, University of North Carolina Press (1994)
“Poetry presents indivisible wholes of human consciousness, modified and ordered by the stringent requirements of form. Prose, aiming at a definite and concrete goal, generally suppresses everything inessential to its purpose; poetry, existing only to exhibit itself as an aesthetic object, aims only at completeness and perfection of form.”
—Richard Harter Fogle, U.S. critic, educator. The Imagery of Keats and Shelley, ch. 1, University of North Carolina Press (1949)
“Thirty-five years ago, when I was a college student, people wrote letters. The businessman who read, the lawyer who traveled; the dressmaker in evening school, my unhappy mother, our expectant neighbor: all conducted an often large and varied correspondence. It was the accustomed way of ordinarily educated people to occupy the world beyond their own small and immediate lives.”
—Vivian Gornick (b. 1935)
“Eliot dead, you saying,
“And who is left to understand my jokes?
My old Brother in the arts . . . and besides, he was a smash of
poet.””
—Robert Lowell (1917–1977)
“Denotation by means of sounds and markings is a remarkable abstraction. Three letters designate God for me; several lines a million things. How easy becomes the manipulation of the universe here, how evident the concentration of the intellectual world! Language is the dynamics of the spiritual realm. One word of command moves armies; the word liberty entire nations.”
—Novalis [Friedrich Von Hardenberg] (1772–1801)