University of Pennsylvania School of Design - Buildings

Buildings

Charles Addams Fine Arts Hall

"Located in the former Skinner Hall, overlooking Walnut Street across from the University Bookstore, the state-of-the-art facility has been named The Charles Addams Fine Arts Hall in memory of the former Penn student and world-renowned cartoonist, Charles Addams (1912-1988). The building houses student works and studios for fine arts students."

Duhring Wing

"Attached to the Fisher Fine Arts Library."

Anne and Jerome Fisher Fine Arts Library (also known as Furness Library)

"The historic library is the major masterpiece of Philadelphia's most important Victorian architect, Frank Furness. Combining genius in planning and form, it is a seminal library design that expresses function while merging the imagery of cathedral and railroad station. Additions in 1916, 1922, and 1931; Restored from 1986-91 by Venturi, Scott Brown and Associates. The 1931 McGoodwin addition, is home to the Arthur Ross Gallery."

Meyerson Hall

Meyerson Hall houses the University of Pennsylvania's School of Design. The building, designed by the architecture firm of Martin, Stewart, Nobel & Class, was constructed in 1967 in concrete and brick. The total area of the building is 93,780 square feet (8,712 m2).

Morgan Building

"Originally this was part of the Foulke and Long Institute, an orpahanage. The Morgan Building shares the brick, north Italian vocabulary with other buildings of the Pepper era and plays a major role in defining the character of 34th Street."

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Famous quotes containing the word buildings:

    The American who has been confined, in his own country, to the sight of buildings designed after foreign models, is surprised on entering York Minster or St. Peter’s at Rome, by the feeling that these structures are imitations also,—faint copies of an invisible archetype.
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    If the factory people outside the colleges live under the discipline of narrow means, the people inside live under almost every other kind of discipline except that of narrow means—from the fruity austerities of learning, through the iron rations of English gentlemanhood, down to the modest disadvantages of occupying cold stone buildings without central heating and having to cross two or three quadrangles to take a bath.
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    Now, since our condition accommodates things to itself, and transforms them according to itself, we no longer know things in their reality; for nothing comes to us that is not altered and falsified by our Senses. When the compass, the square, and the rule are untrue, all the calculations drawn from them, all the buildings erected by their measure, are of necessity also defective and out of plumb. The uncertainty of our senses renders uncertain everything that they produce.
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