The University of Oregon Museum of Natural and Cultural History, commonly known as the UO Natural History Museum, is an American natural history museum at the University of Oregon in Eugene. Located near historic Hayward Field on the east side of the UO campus, it is the largest natural history museum between Seattle and San Francisco and a center for archaeological and paleontological research in the Pacific Northwest and the wider world. The museum headquarters and public spaces are located at 1680 East 15th Avenue in a distinctive and beautiful building inspired by the design of Pacific Northwest Native longhouses.
The museum traces its origins to the creation of the University of Oregon (UO) in 1876, when state geologist Thomas Condon was hired as one of the first three UO professors, bringing his extensive fossil collection with him. The Oregon State Legislative Assembly created the Oregon State Museum of Anthropology (OSMA) at the UO in 1935, under the direction of archaeologist Luther Cressman. In 1936, the Condon Museum and State Museum of Anthropology were folded into the newly created UO Museum of Natural History, also directed by Luther Cressman. Since Cressman retired in the 1960s, the museum has had a series of distinguished directors, including J. Arnold Shotwell, Alice Parman, Don Dumond, C. Melvin Aikens, and now Jon Erlandson.
Today the museum has four divisions: the Condon Paleontological Collection; an Archaeological Research Division (a.k.a. OSMA), an Anthropological Collections division, and a Public Programs Division. The museum's collections include: nearly 100,000 fossils from Oregon, the Pacific Northwest, and around the world; nearly a million archaeological artifacts, including the famous Fort Rock sandals. that are among the oldest shoes in the world (~10,000 years old); extensive ethnographic collections from cultures worldwide, including over 1500 Native American baskets; and thousands of comparative specimens from modern or historical birds (and their eggs and nests), mammals, reptiles, marine and freshwater shells, and other organisms. The museum displays many of these artifacts, fossils, and objects in its exhibit halls, along with revolving exhibits highlighting the work of Pacific Northwest artists and other cultural and natural history themes. Surrounding the museum is a Native plant garden, a geological time line, and a replica of the Willamette Meteorite. The museum's new website also includes over 20 web galleries featuring objects from its collections.
The Museum is the official repository for archaeological and paleontological collections from the state of Oregon and has a responsibility to preserve and interpret these materials in perpetuity. Museum staff members work closely with a variety of communities, from UO students and staff to thousands of K-12 students and teachers from the surrounding area, community members and volunteers, visiting researchers, and other visitors from around the world. Research and collections staff also collaborate with many local, state, and federal agencies and other institutions to conduct research and store collections for future research and interpretation. Tribal members worked closely with museum staff in designing exhibits and creating replicas for displays that highlight the deep history of Native American tribes in four geographic regions of Oregon: the Northwest Coast, Columbia Plateau, Great Basin, and Willamette Valley. The geological, paleontological, and natural history of the Pacific Northwest is also interpreted and illustrated with objects from the museum's collections. Museum research is also shared with the public through the University of Oregon Anthropological Papers series, which recently printed its 69th volume.
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—Richard Harter Fogle, U.S. critic, educator. The Imagery of Keats and Shelley, ch. 1, University of North Carolina Press (1949)
“Like dreaming, reading performs the prodigious task of carrying us off to other worlds. But reading is not dreaming because books, unlike dreams, are subject to our will: they envelop us in alternative realities only because we give them explicit permission to do so. Books are the dreams we would most like to have, and, like dreams, they have the power to change consciousness, turning sadness to laughter and anxious introspection to the relaxed contemplation of some other time and place.”
—Victor Null, South African educator, psychologist. Lost in a Book: The Psychology of Reading for Pleasure, introduction, Yale University Press (1988)
“When Paul Bunyan’s loggers roofed an Oregon bunkhouse with shakes, fog was so thick that they shingled forty feet into space before discovering they had passed the last rafter.”
—State of Oregon, U.S. public relief program (1935-1943)
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—Hawaiian saying no. 1702, ‘lelo No’Eau, collected, translated, and annotated by Mary Kawena Pukui, Bishop Museum Press, Hawaii (1983)
“All is changed. All looks strange to me and gives me a feeling which I would rather get away from, although I know it to be the carrying out of natural laws. And I am not complaining. I am doing the same as many old people have done, I suppose, who have led an active life and suddenly find themselves living without a purpose. Oh, my heart is so full. I could write a big book on the subject of going out of this world gracefully.”
—Maria D. Brown (1827–1927)
“A society that has made “nostalgia” a marketable commodity on the cultural exchange quickly repudiates the suggestion that life in the past was in any important way better than life today.”
—Christopher Lasch (b. 1932)
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It resembled a mare shuffling on,
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nearing its tomb and the pitch of hell.”
—Adonis [Ali Ahmed Said] (b. 1930)