The University of Cambridge Philharmonic Orchestra (UCPO) is a student-run orchestra in Cambridge, England.
UCPO is a non-audition orchestra. Membership is aimed primarily at members of the University of Cambridge, although the orchestra usually counts among its members a significant number of other residents of Cambridge. Only conductors and soloists are auditioned.
The orchestra usually performs five concerts in each year. Three of these feature the full orchestra. A further two are performed by a smaller group officially known as the 'University of Cambridge Philharmonia', informally known as 'Baby'.
2007/08 repertoire has included Tchaikovsky Symphony 5, Mozart Symphony 39, Gershwin piano concerto, Borodin Symphony 2, Mendelssohn Symphony 4, and Grieg A minor piano concerto. Previous repertoire is just as varied, and has included Beethoven, Sibelius, Dvorak, Shostakovich and Haydn.
The orchestra is known as The Orchestra with a Life.
Read more about University Of Cambridge Philharmonic Orchestra: History
Famous quotes containing the words university of, university, cambridge and/or orchestra:
“The information links are like nerves that pervade and help to animate the human organism. The sensors and monitors are analogous to the human senses that put us in touch with the world. Data bases correspond to memory; the information processors perform the function of human reasoning and comprehension. Once the postmodern infrastructure is reasonably integrated, it will greatly exceed human intelligence in reach, acuity, capacity, and precision.”
—Albert Borgman, U.S. educator, author. Crossing the Postmodern Divide, ch. 4, University of Chicago Press (1992)
“I am not willing to be drawn further into the toils. I cannot accede to the acceptance of gifts upon terms which take the educational policy of the university out of the hands of the Trustees and Faculty and permit it to be determined by those who give money.”
—Woodrow Wilson (18561924)
“the Cambridge ladies who live in furnished souls
are unbeautiful and have comfortable minds”
—E.E. (Edward Estlin)
“As the artist
extends his world with
one gratuitous flourisha stroke of white or
a run on the clarinet above the
bass tones of the orchestra ...”
—Denise Levertov (b. 1923)