United States Army Air Forces in The South West Pacific Theatre

United States Army Air Forces In The South West Pacific Theatre

During World War II, the United States Army Air Forces engaged in combat against the air, ground and naval forces of the Empire of Japan in the South West Pacific Theatre.

As defined by the United States Department of War, the South West Pacific theatre included the Philippines, the Dutch East Indies (excluding Sumatra), Borneo, Australia, the Australian Territory of New Guinea (including the Bismarck Archipelago), the western part of the Solomon Islands and some neighbouring territories. The theatre took its name from the major Allied command, which was known simply as the "South West Pacific Area".

The major USAAF combat organizations in the region was Fifth Air Force, based in Australia after the Battle of the Philippines (1941–42). From Australia, the Allied forces, led by General Douglas MacArthur, first moved north into New Guinea in 1942, then into the Netherlands East Indies in 1943, and returning to the Philippines in 1944 and 1945. Moving with the Allied ground forces, the USAAF Fifth Air Force established a series of airfields, some at existing facilities, but most were carved out of the jungle to provide tactical air support of the ground forces.

In addition to the Fifth Air Force units, elements of Seventh and Thirteenth Air Force advanced into the theatre as Japanese land and naval forces were driven out of the Central and South Pacific Areas.

Read more about United States Army Air Forces In The South West Pacific Theatre:  Airfields and Major Unit Assignments, See Also

Famous quotes containing the words united states, united, states, army, air, forces, south, west, pacific and/or theatre:

    Vanessa wanted to be a ballerina. Dad had such hopes for her.... Corin was the academically brilliant one, and a fencer of Olympic standard. Everything was expected of them, and they fulfilled all expectations. But I was the one of whom nothing was expected. I remember a game the three of us played. Vanessa was the President of the United States, Corin was the British Prime Minister—and I was the royal dog.
    Lynn Redgrave (b. 1943)

    What lies behind facts like these: that so recently one could not have said Scott was not perfect without earning at least sorrowful disapproval; that a year after the Gang of Four were perfect, they were villains; that in the fifties in the United States a nothing-man called McCarthy was able to intimidate and terrorise sane and sensible people, but that in the sixties young people summoned before similar committees simply laughed.
    Doris Lessing (b. 1919)

    That Cabot merely landed on the uninhabitable shore of Labrador gave the English no just title to New England, or to the United States generally, any more than to Patagonia.
    Henry David Thoreau (1817–1862)

    It is necessary to turn political crisis into armed crisis by performing violent actions that will force those in power to transform the military situation into a political situation. That will alienate the masses, who, from then on, will revolt against the army and the police and blame them for this state of things.
    Carlos Marighella (d. 1969)

    [Allegory] should ... be very sparingly practised, lest, whilst the writer plays with his own fancies and diverts himself by cutting the air with his wide spread wings, he should soar out of view of his readers, leaving them in confusion and perplexity to explore his viewless track.
    Sarah Fielding (1710–1768)

    The poorest man may in his cottage bid defiance to all the forces of the Crown. It may be frail—its roof may shake—the wind may blow through it—the storm may enter—the rain may enter—but the King of England cannot enter!—all his forces dare not cross the threshold of the ruined tenement!
    William Pitt, The Elder, Lord Chatham (1708–1778)

    There were metal detectors on the staff-room doors and Hernandez usually had a drawer full of push-daggers, nunchuks, stun-guns, knucks, boot-knives, and whatever else the detectors had picked up. Like Friday morning at a South Miami high school.
    William Gibson (b. 1948)

    Faithfulness to the past can be a kind of death above ground. Writing of the past is a resurrection; the past then lives in your words and you are free.
    —Jessamyn West (1902–1984)

    It is easier to sail many thousand miles through cold and storm and cannibals, in a government ship, with five hundred men and boys to assist one, than it is to explore the private sea, the Atlantic and Pacific Ocean of one’s being alone.... It is not worth the while to go round the world to count the cats in Zanzibar.
    Henry David Thoreau (1817–1862)

    The theatre is a gross art, built in sweeps and over-emphasis. Compromise is its second name.
    Enid Bagnold (1889–1981)