United Artists - UA Films On Video

UA Films On Video

United Artists originally leased the home video rights to its films (including the pre-1950 Warner Bros. classics they owned at the time) to Magnetic Video, the first home video company. Magnetic was purchased by 20th Century Fox in 1981 and was renamed 20th Century-Fox Video that year. In 1982, 20th Century-Fox Video merged with CBS Video Enterprises (which had demerged with MGM/CBS Home Video after MGM merged with UA) giving birth to CBS/Fox Video. Although MGM owned UA around this time, the latter studio's licensing deal with CBS/Fox was still in effect; however, the newly-renamed MGM/UA Home Video started releasing some UA product, including a few recent films. In 1986, the pre-1950 WB and the pre-May 1986 MGM film and television libraries were purchased by Ted Turner after its short-lived ownership of MGM/UA, and as a result CBS/Fox lost home video rights to the pre-1950 WB films to MGM/UA Home Video. When the deal with CBS/Fox (inherited from Magnetic Video) expired in 1989, the UA films began to be issued through MGM/UA Home Video. Up until then, international distribution was handled by Warner Home Video, including in the UK, Europe, Japan, and South America.

In the late 1980s, UA licensed the video releases for its more obscure titles to a small specialty video distributor called Wood Knapp Video. This deal lasted in effect until the early 1990s.

Read more about this topic:  United Artists

Famous quotes containing the words films and/or video:

    Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.
    David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)

    We attempt to remember our collective American childhood, the way it was, but what we often remember is a combination of real past, pieces reshaped by bitterness and love, and, of course, the video past—the portrayals of family life on such television programs as “Leave it to Beaver” and “Father Knows Best” and all the rest.
    Richard Louv (20th century)