Union Avenue Opera - Repertory

Repertory

1995

  • Dido and Aeneas (Purcell)

1996

  • Il Combattimento di Tancredi e Clorinda (Monteverdi)
  • The Little Sweep (Britten)
  • Venus and Adonis (Blow)

1997

  • The Yeomen of the Guard (Gilbert & Sullivan)

1998

  • The Marriage of Figaro (Mozart)

1999

  • Susannah (Floyd)

2000

  • Così fan tutte (Mozart)
  • La bohème (Puccini)

2001

  • Il Barbiere di Siviglia (Rossini)
  • Carmen (Bizet)

2002

  • The Pirates of Penzance (Gilbert & Sullivan) concert performance
  • La Traviata (Verdi)
  • Tosca (Puccini)

2003

  • The Merry Widow (Lehár) concert performance
  • Madama Butterfly (Giacomo Puccini)
  • Eugene Onegin (Tchaikovsky)

2004

  • Dido and Aeneas (Purcell)
  • Faust (Gounod)
  • Turandot (Puccini)

2005

  • Lucia di Lammermoor (Donizetti)
  • Ariadne auf Naxos (Strauss)
  • Falstaff (Verdi)
  • The Medium (Menotti)

2006

  • H.M.S. Pinafore (Gilbert & Sullivan) concert performance
  • Le nozze di Figaro (Mozart)
  • Norma (Bellini)
  • La bohème (Puccini)
  • The Turn of the Screw (Britten)

2007

  • The Gondoliers (Gilbert & Sullivan) concert performance
  • Die Zauberflöte (Mozart)
  • Suor Angelica & Gianni Schicchi (Puccini)
  • Porgy and Bess (Gershwin)
  • Duke Bluebeard's Castle (Bartók)

2008

  • L'elisir d'amore (Donizetti)
  • Otello (Verdi)
  • Carmen (Bizet)
  • Il Tabarro (Puccini)

2009

  • Il trovatore (Verdi)
  • Die lustige Witwe (Lehár)
  • Lakmé (Delibes)
  • Amahl and the Night Visitors (Menotti)

2010

  • The Pirates of Penzance (Gilbert & Sullivan)
  • La fille du régiment (Donizetti)
  • Pikovaya Dama (Tchaikovsky) St. Louis premiere
  • Amahl and the Night Visitors (Menotti)

2011

  • Turandot (Puccini)
  • La Cenerentola (Rossini)
  • Dead Man Walking (Heggie) Missouri premiere
  • Amahl and the Night Visitors (Menotti)

2012

  • Acis and Galatea (Handel)
  • Un Ballo in Maschera (Verdi)
  • Das Rheingold (Wagner)

Read more about this topic:  Union Avenue Opera

Famous quotes containing the word repertory:

    Each writer is born with a repertory company in his head. Shakespeare has perhaps 20 players, and Tennessee Williams has about 5, and Samuel Beckett one—and maybe a clone of that one. I have 10 or so, and that’s a lot. As you get older, you become more skillful at casting them.
    Gore Vidal (b. 1925)