Structure
The structure of the work is straightforward, and is clearly inspired by Liszt's Hungarian Fantasy. The work begins with a theme from the orchestra (which does not return), and a piano cadenza imitating the cimbalom. This leads to an Andante - a soulful theme expounded in arpeggiated chords. There follows an Allegro variation and another cadenza, leading to a new theme marked Allegretto given first by the piano and then joined boisterously by the orchestra. The Andante theme is recalled in the ensuing cadenza, and a new theme is presented in the following slow Andante (really an Adagio). A further reminiscence of the Andante leads to a variation on the Allegretto, with the piano playing in constant demisemiquaver octaves. Another short cadenza introduces a new theme in the horns, but it is short-lived, and the coda very soon comes, generated from a faster version of the Andante.
Read more about this topic: Ungarische Zigeunerweisen
Famous quotes containing the word structure:
“When a house is tottering to its fall,
The strain lies heaviest on the weakest part,
One tiny crack throughout the structure spreads,
And its own weight soon brings it toppling down.”
—Ovid (Publius Ovidius Naso)
“Man is more disposed to domination than freedom; and a structure of dominion not only gladdens the eye of the master who rears and protects it, but even its servants are uplifted by the thought that they are members of a whole, which rises high above the life and strength of single generations.”
—Karl Wilhelm Von Humboldt (1767–1835)
“Who says that fictions only and false hair
Become a verse? Is there in truth no beauty?
Is all good structure in a winding stair?
May no lines pass, except they do their duty
Not to a true, but painted chair?”
—George Herbert (1593–1633)