Partially Constructed Buildings
There are numerous unfinished buildings that remain partially constructed in countries around the world, some of which can be used in their incomplete state but with others remaining as a mere shell. Some projects are intentionally left with an unfinished appearance, particularly the follies of the late 16th to 18th century.
Some buildings are in a cycle of near-perpetual construction, with work lasting for decades or even centuries. Antoni Gaudí's Sagrada Família in Barcelona, Spain, has been under construction for around 120 years, having started in the 1880s. Work was delayed by the Spanish Civil War, during which the original models and parts of the building itself were destroyed. Today, even with portions of the basilica incomplete, it is still the most popular tourist destination in Barcelona with 1.5 million visitors every year. Gaudí spent 40 years of his life overseeing the project and is buried in the crypt. Germany's Cologne Cathedral took even longer to complete; construction started in 1248 and finished in 1880, a total of 632 years.
Read more about this topic: Unfinished Building
Famous quotes containing the words partially, constructed and/or buildings:
“I remember once dreaming of pushing a canoe up the rivers of Maine, and that, when I had got so high that the channels were dry, I kept on through the ravines and gorges, nearly as well as before, by pushing a little harder, and now it seemed to me that my dream was partially realized.”
—Henry David Thoreau (1817–1862)
“How marvellous it all is! Built not by saints and angels, but the work of men’s hands; cemented with men’s honest blood and with a world of tears, welded by the best brains of centuries past; not without the taint and reproach incidental to all human work, but constructed on the whole with pure and splendid purpose. Human, and yet not wholly human—for the most heedless and the most cynical must see the finger of the Divine.”
—Archibald Philip Primrose, 5th Earl Rosebery (1847–1929)
“The American who has been confined, in his own country, to the sight of buildings designed after foreign models, is surprised on entering York Minster or St. Peter’s at Rome, by the feeling that these structures are imitations also,—faint copies of an invisible archetype.”
—Ralph Waldo Emerson (1803–1882)