Reception
| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| AllMusic | |
| CMJ | mixed |
| Entertainment Weekly | C− |
| Rolling Stone | |
Undisputed Attitude was released on May 28, 1996, and peaked at number 34 on the Billboard 200 album chart. Paul Kott of AllMusic commented that "Undisputed Attitude, while not perfect, is a fitting tribute to the bands that inspired Slayer to break from the traditional metal mold." Sandy Masuo of Rolling Stone reasoned: "some punk purists will undoubtedly cry foul, but when the dust settles it's hard to argue with Slayer's metal." Entertainment Weekly's Chuck Eddy dubbed Slayer's cover interpretations "generic hardcore-punk", and observed that the group "seem to think that playing as fast and rigidly as possible makes for harder rock -- but it's just lazy shtick".
Reviewing 2003 Slayer box set Soundtrack to the Apocalypse, Adrien Begrand of PopMatters dismissed the effort as "easily the weakest album in the Slayer catalogue", while Westword Online's Michael Roberts dubbed the record their "biggest mistake." Araya has since stated that he "knew it wouldn't do very well, people want to hear Slayer! The real die-hards picked up on it and that was expected."
Read more about this topic: Undisputed Attitude
Famous quotes containing the word reception:
“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.””
—Gerald R. Ford (b. 1913)
“He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!”
—Billy Wilder (b. 1906)
“Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.”
—Jonathan Swift (1667–1745)