Understudy - Similar Tasks

Similar Tasks

Performers who are only committed to covering a part and do not regularly appear in the show are often referred to as standbys or Alternates. Standbys are normally required to sign-in and remain at the theater the same as other cast members, although sometimes they may call in, until they are released by the Production Stage Manager. If there is no doubt about the health of the actor being "covered," or there are no hazardous stunts to be performed, a standby may be released at the first intermission if not before. At times, standbys are required to stay within a certain area around the theater (10 blocks in New York City is a common standard). The standby must also have a cell phone so that at any time they can be called to the theater.

The term is also regularly applied in association football, most often to describe a second choice goalkeeper whose appearances are limited to when the regular first choice player is absent through injury or suspension. A notable example is Chris Woods as long term understudy to Peter Shilton for the England national football team.

In musical theater, the term swing is often used to refer to a member of the company who understudies several chorus and/or dancing roles. If an understudy fills in for a lead role, a swing will act the parts normally performed by the understudy. A super swing is a swing who may commute around the country as needed to act in various productions of a widespread show.

In contrast, a prompt cues an actor while not personally being on the stage or in the spotlight.

Read more about this topic:  Understudy

Famous quotes containing the words similar and/or tasks:

    We cannot feel strongly toward the totally unlike because it is unimaginable, unrealizable; nor yet toward the wholly like because it is stale—identity must always be dull company. The power of other natures over us lies in a stimulating difference which causes excitement and opens communication, in ideas similar to our own but not identical, in states of mind attainable but not actual.
    Charles Horton Cooley (1864–1929)

    I am of course confident that I will fulfil my tasks as a writer in all circumstances—from my grave even more successfully and more irrefutably than in my lifetime. No one can bar the road to truth, and to advance its cause I am prepared to accept even death. But may it be that repeated lessons will finally teach us not to stop the writer’s pen during his lifetime? At no time has this ennobled our history.
    Alexander Solzhenitsyn (b. 1918)