Undercover (The Rolling Stones Album) - History

History

Due to the recent advancements in recording technology, The Glimmer Twins (a.k.a. Mick Jagger and Keith Richards) were officially joined in the producer's seat with Chris Kimsey, the first outside producer the Stones had used since Jimmy Miller. They began recording at the Pathe Marconi Studios in Paris, France. After breaking for the holidays, they completed the album in New York City the following summer.

The making of Undercover was an arduous process, largely because Jagger and Richards' famous mid-1980s row began during these sessions. Jagger was keenly aware of new styles and wanted to keep the Rolling Stones current and experimental, while Richards was seemingly more focused on the band's rock and blues roots. As a result, there was friction, and the tension between the two key members would increase over the upcoming years.

The lyrics on Undercover are among Jagger's most macabre, with much grisly imagery to be found in the lead single and top 10 hit "Undercover of the Night", a rare political track about Central America, as well as "Tie You Up (The Pain Of Love)" and "Too Much Blood", Jagger's attempt to incorporate contemporary trends in dance music. Musically, Undercover appears to duel between hard rock, reggae and new wave, reflecting the leadership tug of war between Jagger and Richards at the time. "Pretty Beat Up" is largely a Ronnie Wood composition, and Jagger and Richards were both reportedly reluctant to include it on the album.

Read more about this topic:  Undercover (The Rolling Stones Album)

Famous quotes containing the word history:

    I am ashamed to see what a shallow village tale our so-called History is. How many times must we say Rome, and Paris, and Constantinople! What does Rome know of rat and lizard? What are Olympiads and Consulates to these neighboring systems of being? Nay, what food or experience or succor have they for the Esquimaux seal-hunter, or the Kanaka in his canoe, for the fisherman, the stevedore, the porter?
    Ralph Waldo Emerson (1803–1882)

    This is the greatest week in the history of the world since the Creation, because as a result of what happened in this week, the world is bigger, infinitely.
    Richard M. Nixon (1913–1995)

    Throughout the history of commercial life nobody has ever quite liked the commission man. His function is too vague, his presence always seems one too many, his profit looks too easy, and even when you admit that he has a necessary function, you feel that this function is, as it were, a personification of something that in an ethical society would not need to exist. If people could deal with one another honestly, they would not need agents.
    Raymond Chandler (1888–1959)