History
Due to the recent advancements in recording technology, The Glimmer Twins (a.k.a. Mick Jagger and Keith Richards) were officially joined in the producer's seat with Chris Kimsey, the first outside producer the Stones had used since Jimmy Miller. They began recording at the Pathe Marconi Studios in Paris, France. After breaking for the holidays, they completed the album in New York City the following summer.
The making of Undercover was an arduous process, largely because Jagger and Richards' famous mid-1980s row began during these sessions. Jagger was keenly aware of new styles and wanted to keep the Rolling Stones current and experimental, while Richards was seemingly more focused on the band's rock and blues roots. As a result, there was friction, and the tension between the two key members would increase over the upcoming years.
The lyrics on Undercover are among Jagger's most macabre, with much grisly imagery to be found in the lead single and top 10 hit "Undercover of the Night", a rare political track about Central America, as well as "Tie You Up (The Pain Of Love)" and "Too Much Blood", Jagger's attempt to incorporate contemporary trends in dance music. Musically, Undercover appears to duel between hard rock, reggae and new wave, reflecting the leadership tug of war between Jagger and Richards at the time. "Pretty Beat Up" is largely a Ronnie Wood composition, and Jagger and Richards were both reportedly reluctant to include it on the album.
Read more about this topic: Undercover (The Rolling Stones Album)
Famous quotes containing the word history:
“To care for the quarrels of the past, to identify oneself passionately with a cause that became, politically speaking, a losing cause with the birth of the modern world, is to experience a kind of straining against reality, a rebellious nonconformity that, again, is rare in America, where children are instructed in the virtues of the system they live under, as though history had achieved a happy ending in American civics.”
—Mary McCarthy (1912–1989)
“All history and art are against us, but we still expect happiness in love.”
—Mason Cooley (b. 1927)
“... in a history of spiritual rupture, a social compact built on fantasy and collective secrets, poetry becomes more necessary than ever: it keeps the underground aquifers flowing; it is the liquid voice that can wear through stone.”
—Adrienne Rich (b. 1929)