Stage
Around 1990, Perry moved to Atlanta, where two years later I Know I've Been Changed was first performed at a community theater, financed by the 22-year-old Perry's $12,000 life savings. The play included Christian themes of forgiveness, dignity, and self-worth, while addressing issues such as child abuse and dysfunctional families. The musical initially received a "less than stellar" reception and was a financial failure. Perry persisted, and over the next six years he rewrote the musical repeatedly, though lackluster reviews continued. In 1998, at age 28, he succeeded in retooling the play and restaging it in Atlanta, first at the House of Blues, then at the Fox Theatre. Perry continued to create new stage productions, touring with them on the so-called "chitlin' circuit" (now also known as the "urban theater circuit") and developing a large, devoted following among African-American audiences. In 2005, Forbes reported that he had sold "more than $100 million in tickets, $30 million in videos of his shows and an estimated $20 million in merchandise", and "the 300 live shows he produces each year are attended by an average of 35,000 people a week".
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Famous quotes containing the word stage:
“Work on good prose has three steps: a musical stage when it is composed, an architectonic one when it is built, and a textile one when it is woven.”
—Walter Benjamin (18921940)
“The post-office appeared a singularly domestic institution here. Ever and anon the stage stopped before some low shop or dwelling, and a wheelwright or shoemaker appeared in his shirt- sleeves and leather apron, with spectacles newly donned, holding up Uncle Sams bag, as if it were a slice of home-made cake, for the travelers, while he retailed some piece of gossip to the driver, really as indifferent to the presence of the former as if they were so much baggage.”
—Henry David Thoreau (18171862)
“Toddlerhood resembles adolescence because of the rapidity of physical growth and because of the impulse to break loose of parental boundaries. At both ages, the struggle for independence exists hand in hand with the often hidden wish to be contained and protected while striving to move forward in the world. How parents and toddlers negotiate their differences sets the stage for their ability to remain partners during childhood and through the rebellions of the teenage years.”
—Alicia F. Lieberman (20th century)