Style
The art of TKT is done by juxtaposing digital photographs of vinyl/action figures (mostly kaiju) into backgrounds (primarily generated from photos) and photoshopping various effects. This style has alternately been called photocollage, photocomics or fumetti, and McGuinness shares these art techniques with "tutorials" on web photography and specific comic effects. Webcomics which utilize this style or similar techniques include Alien Loves Predator, Insecticomics, Perils of the Bold, and Nukeland Cinema.
When the comic began, figures were posed against props and backgrounds, with word balloons added after photos were taken. As the comic progressed, more advanced techniques were used to improve the quality of the comic. The figures are now shot against a white background, then superimposed with Bluescreen technology over a different background such as a sprawling cityscape. Special effects like Dutch angles, explosions, motion blurs, and Wild Takes have also been added to give a more cinematic and dramatic look. While many of the figures are articulated, McGuinness must use photoshop techniques in order to bring many of the characters to life, such as the figurines for Shin-Goji and the Toxic Pirates, which have no articulation at all.
Read more about this topic: Twisted Kaiju Theater
Famous quotes containing the word style:
“The history of all Magazines shows plainly that those which have attained celebrity were indebted for it to articles similar in natureto Berenice—although, I grant you, far superior in style and execution. I say similar in nature. You ask me in what does this nature consist? In the ludicrous heightened into the grotesque: the fearful coloured into the horrible: the witty exaggerated into the burlesque: the singular wrought out into the strange and mystical.”
—Edgar Allan Poe (1809–1849)
“His style is chaos illumined by flashes of lightning. As a writer he has mastered everything except language.”
—Oscar Wilde (1854–1900)
“It is the style of idealism to console itself for the loss of something old with the ability to gape at something new.”
—Karl Kraus (1874–1936)