Style
The art of TKT is done by juxtaposing digital photographs of vinyl/action figures (mostly kaiju) into backgrounds (primarily generated from photos) and photoshopping various effects. This style has alternately been called photocollage, photocomics or fumetti, and McGuinness shares these art techniques with "tutorials" on web photography and specific comic effects. Webcomics which utilize this style or similar techniques include Alien Loves Predator, Insecticomics, Perils of the Bold, and Nukeland Cinema.
When the comic began, figures were posed against props and backgrounds, with word balloons added after photos were taken. As the comic progressed, more advanced techniques were used to improve the quality of the comic. The figures are now shot against a white background, then superimposed with Bluescreen technology over a different background such as a sprawling cityscape. Special effects like Dutch angles, explosions, motion blurs, and Wild Takes have also been added to give a more cinematic and dramatic look. While many of the figures are articulated, McGuinness must use photoshop techniques in order to bring many of the characters to life, such as the figurines for Shin-Goji and the Toxic Pirates, which have no articulation at all.
Read more about this topic: Twisted Kaiju Theater
Famous quotes containing the word style:
“I concluded that I was skilled, however poorly, at only one thing: marriage. And so I set about the business of selling myself and two children to some unsuspecting man who might think me a desirable second-hand mate, a man of good means and disposition willing to support another man’s children in some semblance of the style to which they were accustomed. My heart was not in the chase, but I was tired and there was no alternative. I could not afford freedom.”
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“I am so tired of taking to others
translating my life for the deaf, the blind,
the “I really want to know what your life is like without giving up any of my privileges
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the “I want to live my white life with Third World women’s style and keep my skin
class privileges” dykes”
—Lorraine Bethel, African American lesbian feminist poet. “What Chou Mean We, White Girl?” Lines 49-54 (1979)
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—Henry David Thoreau (1817–1862)