Style
The art of TKT is done by juxtaposing digital photographs of vinyl/action figures (mostly kaiju) into backgrounds (primarily generated from photos) and photoshopping various effects. This style has alternately been called photocollage, photocomics or fumetti, and McGuinness shares these art techniques with "tutorials" on web photography and specific comic effects. Webcomics which utilize this style or similar techniques include Alien Loves Predator, Insecticomics, Perils of the Bold, and Nukeland Cinema.
When the comic began, figures were posed against props and backgrounds, with word balloons added after photos were taken. As the comic progressed, more advanced techniques were used to improve the quality of the comic. The figures are now shot against a white background, then superimposed with Bluescreen technology over a different background such as a sprawling cityscape. Special effects like Dutch angles, explosions, motion blurs, and Wild Takes have also been added to give a more cinematic and dramatic look. While many of the figures are articulated, McGuinness must use photoshop techniques in order to bring many of the characters to life, such as the figurines for Shin-Goji and the Toxic Pirates, which have no articulation at all.
Read more about this topic: Twisted Kaiju Theater
Famous quotes containing the word style:
“Style is the man himself.
[Le style c’est l’homme même.]”
—Leclerc, George-Louis Buffon, Comte De (1707–1788)
“His style is eminently colloquial, and no wonder it is strange to meet with in a book. It is not literary or classical; it has not the music of poetry, nor the pomp of philosophy, but the rhythms and cadences of conversation endlessly repeated.”
—Henry David Thoreau (1817–1862)
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)