Twilight Time (The Moody Blues Song)
"Twilight Time" is a song from The Moody Blues' 1967 album Days of Future Passed. It is the final of three songs on the album representing the evening, along with "(Evening) Time to Get Away" (which is actually on "The Afternoon" track), and "The Sunset." Written by the Moody Blues' flautist Ray Thomas, "Twilight Time" primarily describes the scene in the sky after the sun has set. It is one of the more upbeat songs on the album (along with "Peak Hour"), played in a brooding minor key, and also has a heavy psychedelic rock sound to it.
When Days of Future Passed was remixed in 1978, a reverb was added to Ray Thomas's vocal performance on the song to match the reverb of the backing vocals by the rest of the band. In the new mix the backing vocals are heard throughout the song instead of only coming in at strategic points as in the original mix.
Read more about Twilight Time (The Moody Blues Song): Personnel
Famous quotes containing the words twilight, time, moody and/or blues:
“You cannot, in human experience, rush into the light. You have to go through the twilight into the broadening day before the noon comes and the full sun is upon the landscape.”
—Woodrow Wilson (1856–1924)
“The truth is, the Science of Nature has been already too long made only a work of the brain and the fancy: It is now high time that it should return to the plainness and soundness of observations on material and obvious things.”
—Robert Hooke (1635–1703)
“Well, something for a snowstorm to have shown
The country’s singing strength thus brought together,
That though repressed and moody with the weather
Was nonetheless there ready to be freed
And sing the wild flowers up from root and seed.”
—Robert Frost (1874–1963)
“Holly Golightly: You know those days when you’ve got the mean reds?
Paul: The mean reds? You mean like the blues?
Holly Golightly: No, the blues are because you’re getting fat or maybe it’s been raining too long. You’re just sad, that’s all. The mean reds are horrible. Suddenly you’re afraid and you don’t know what you’re afraid of.”
—George Axelrod (b. 1922)