Twilight (Buffy Comic) - Plot

Plot

Buffy tests the extent of her new superpowers when she is confronted by Twilight, who reveals himself to be her ex-boyfriend Angel. Their battle continues in mid-air for some time. He explains that the Twilight identity was the only way to limit the extent of the anti-Slayer factions' damage, and that the masked identity gave Buffy somewhere to focus her energies. Overcome by a strange glow, Angel begins to explain to Buffy that they are part of a cosmic destiny. Buffy succumbs to her passion and she and Angel begin to have sex, at first mid-air and later through space, eventually arriving in a paradise-like dimension which Angel announced is "Twilight".

Giles explains to Willow, Xander, Dawn et al. a myth about the Slayer that, in short, ultimately means that Buffy and Angel are destiny's vehicles in bringing the old universe to a close and beginning a new one. Demons, afterbirth of the new dimension, begin to flood the old world. Andrew uses a combination Captain America and Iron Man armor to defend himself; he and Warren squabble, with Andrew taking a serious blow from a demon. Despite the prospect of eternal happiness with Angel in the paradise dimension, Buffy questions the new reality after observing the situation her friends are in. She decides to return to earth to assist her friends fight the unleashed demons, with Angel opting to assist her. Even with Buffy and Angel's superpowers the demons are hard to overcome. At the close of the arc, a spherical yellow ship arrives, from which Spike emerges promising a solution to the crisis.

Read more about this topic:  Twilight (Buffy Comic)

Famous quotes containing the word plot:

    Morality for the novelist is expressed not so much in the choice of subject matter as in the plot of the narrative, which is perhaps why in our morally bewildered time novelists have often been timid about plot.
    Jane Rule (b. 1931)

    We have defined a story as a narrative of events arranged in their time-sequence. A plot is also a narrative of events, the emphasis falling on causality. “The king died and then the queen died” is a story. “The king died, and then the queen died of grief” is a plot. The time sequence is preserved, but the sense of causality overshadows it.
    —E.M. (Edward Morgan)

    Trade and the streets ensnare us,
    Our bodies are weak and worn;
    We plot and corrupt each other,
    And we despoil the unborn.
    Ralph Waldo Emerson (1803–1882)