Turkey City Writer's Workshop is a peer-to-peer, professional science fiction writer's workshop in Texas. Founded in 1973 and still ongoing today, it was consciously modeled after the east coast Milford Writer's Workshop. The workshop "was a cradle of cyberpunk" where many of the practitioners of what would become cyberpunk first met.
Founding members of the group included Lisa Tuttle, Howard Waldrop, Steven Utley, and Tom Reamy. The workshop was first held in Grand Prairie, Texas, but soon shifted to Austin when most of the writers involved moved there during the mid-1970s. Bruce Sterling was one of the youngest members of the workshop when he joined it in 1974. Harlan Ellison "discovered" Sterling at Turkey City and arranged for the publication of his first novel. Other writers who have attended Turkey City include Ted Chiang, Paul Di Filippo, Cory Doctorow, Andy Duncan, George Alec Effinger, Mark Finn, Steven Gould, Eileen Gunn, Leigh Kennedy, John Kessel, Rick Klaw, Raph Koster, George R. R. Martin, Maureen McHugh, Paul O. Miles, Chris Nakashima-Brown, Chad Oliver, Lawrence Person, Jessica Reisman, Chris Roberson, Lewis Shiner, Lou Antonelli, John Shirley, Jeff VanderMeer, Don Webb, Martha Wells, and Connie Willis.
The workshop also compiled the "The Turkey City Lexicon," a collection of terms used when discussing recurring SF writing tropes. This guide for writers has been used and adapted by other writers workshops, both within and outside the science fiction genre. Robert J. Sawyer has described the document as the "mother of all workshopping vocabularies."
Famous quotes containing the words turkey, city, writer and/or workshop:
“You can make as good a design out of an American turkey as a Japanese out of his native stork.”
—For the State of Illinois, U.S. public relief program (1935-1943)
“half-way up the hill, I see the Past
Lying beneath me with its sounds and sights,
A city in the twilight dim and vast,
With smoking roofs, soft bells, and gleaming lights,
And hear above me on the autumnal blast
The cataract of Death far thundering from the heights.”
—Henry Wadsworth Longfellow (18091882)
“Every writer hopes or boldly assumes that his life is in some sense exemplary, that the particular will turn out to be universal.”
—Martin Amis (b. 1949)
“Had I made capital on my prettiness, I should have closed the doors of public employment to women for many a year, by the very means which now makes them weak, underpaid competitors in the great workshop of the world.”
—Jane Grey Swisshelm (18151884)