Turkey City Writer's Workshop is a peer-to-peer, professional science fiction writer's workshop in Texas. Founded in 1973 and still ongoing today, it was consciously modeled after the east coast Milford Writer's Workshop. The workshop "was a cradle of cyberpunk" where many of the practitioners of what would become cyberpunk first met.
Founding members of the group included Lisa Tuttle, Howard Waldrop, Steven Utley, and Tom Reamy. The workshop was first held in Grand Prairie, Texas, but soon shifted to Austin when most of the writers involved moved there during the mid-1970s. Bruce Sterling was one of the youngest members of the workshop when he joined it in 1974. Harlan Ellison "discovered" Sterling at Turkey City and arranged for the publication of his first novel. Other writers who have attended Turkey City include Ted Chiang, Paul Di Filippo, Cory Doctorow, Andy Duncan, George Alec Effinger, Mark Finn, Steven Gould, Eileen Gunn, Leigh Kennedy, John Kessel, Rick Klaw, Raph Koster, George R. R. Martin, Maureen McHugh, Paul O. Miles, Chris Nakashima-Brown, Chad Oliver, Lawrence Person, Jessica Reisman, Chris Roberson, Lewis Shiner, Lou Antonelli, John Shirley, Jeff VanderMeer, Don Webb, Martha Wells, and Connie Willis.
The workshop also compiled the "The Turkey City Lexicon," a collection of terms used when discussing recurring SF writing tropes. This guide for writers has been used and adapted by other writers workshops, both within and outside the science fiction genre. Robert J. Sawyer has described the document as the "mother of all workshopping vocabularies."
Famous quotes containing the words turkey, city, writer and/or workshop:
“You can make as good a design out of an American turkey as a Japanese out of his native stork.”
—For the State of Illinois, U.S. public relief program (1935-1943)
“A sturdy lad from New Hampshire or Vermont who in turn tries all the professions, who teams it, farms it, peddles, keeps a school, preaches, edits a newspaper, goes to Congress, buys a township, and so forth, in successive years, and always like a cat falls on his feet, is worth a hundred of these city dolls. He walks abreast with his days and feels no shame in not “studying a profession,” for he does not postpone his life, but lives already.”
—Ralph Waldo Emerson (1803–1882)
“The writer who aims at producing the platitudes which are “not for an age, but for all time” has his reward in being unreadable in all ages.... The man who writes about himself and his own time is the only sort of man who writes about all people and about all time.”
—George Bernard Shaw (1856–1950)
“Had I made capital on my prettiness, I should have closed the doors of public employment to women for many a year, by the very means which now makes them weak, underpaid competitors in the great workshop of the world.”
—Jane Grey Swisshelm (1815–1884)