Origins
The red rose of the House of LancasterWhen Henry VII of England took the crown of England from Richard III in battle, he brought about the end of the Wars of the Roses between the House of Lancaster (whose badge was a red rose) and the House of York (whose badge was a white rose). His father was Edmund Tudor from the House of Richmond, and his mother was Margaret Beaufort from the House of Lancaster; he married Elizabeth of York to bring all factions together. In fact, Richard III fought under the banner of the boar, and Henry under the banner of the dragon of his native Wales. The white rose/red rose idea was a Tudor invention. The historian Thomas Penn writes:
The "Lancastrian" red rose was an emblem that barely existed before Henry VII. Lancastrian kings used the rose sporadically, but when they did it was often gold rather than red; Henry VI, the king who presided over the country's descent into civil war, preferred his badge of the antelope. Contemporaries certainly did not refer to the traumatic civil conflict of the 15th century as the "wars of the roses". For the best part of a quarter-century, from 1461 to 1485, there was only one royal rose, and it was white: the badge of Edward IV.On his marriage, Henry VII adopted the Tudor rose badge conjoining the white rose of York and the red rose of Lancaster. The Tudor rose is occasionally seen divided in quarters (heraldically as "quartered") and vertically (in heraldic terms per pale) red and white. More often, the Tudor rose is depicted as a double rose, white over red and is always described, heraldically, as "proper".
Read more about this topic: Tudor Rose
Famous quotes containing the word origins:
“Lucretius
Sings his great theory of natural origins and of wise conduct; Plato
smiling carves dreams, bright cells
Of incorruptible wax to hive the Greek honey.”
—Robinson Jeffers (1887–1962)
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)
“The settlement of America had its origins in the unsettlement of Europe. America came into existence when the European was already so distant from the ancient ideas and ways of his birthplace that the whole span of the Atlantic did not widen the gulf.”
—Lewis Mumford (1895–1990)