In Cultural Reference
Aside from various sketches Arghezi had drawn of himself, his portrait was drawn by various artists he met or befriended. Around 1910, he was included in group portraits by Ary Murnu and Camil Ressu, both of which depicted the literary society formed around the Kübler Café in Bucharest. An abstract depiction of Arghezi, showing him as a figure with a hunter case-shaped head, and sitting on an electric chair, was published by M. H. Maxy. Shortly before they died, Arghezi and his wife were the subject of an oil painting by Corneliu Baba.
Tudor Arghezi was several times portrayed in Romanian film: in 1958, Grigore Vasiliu Birlic played a major part in Arghezi's Doi Vecini (a character loosely based on the author); an eponymous film based on the life of Ştefan Luchian was released in 1981, starring Florin Călinescu as Arghezi.
Read more about this topic: Tudor Arghezi
Famous quotes containing the words cultural and/or reference:
“The rumor of a great city goes out beyond its borders, to all the latitudes of the known earth. The city becomes an emblem in remote minds; apart from the tangible export of goods and men, it exerts its cultural instrumentality in a thousand phases.”
—In New York City, U.S. public relief program (1935-1943)
“These roses under my window make no reference to former roses or to better ones; they are for what they are; they exist with God to-day. There is no time to them. There is simply the rose; it is perfect in every moment of its existence.”
—Ralph Waldo Emerson (1803–1882)