Domestic
During this period the arrival of the chimney stack, and enclosed hearths resulted in the decline of the great hall based around an open hearth which was typical of earlier medieval architecture. Instead, fireplaces could now be placed upstairs and it became possible to have a second storey that ran the whole length of the house. Tudor chimney-pieces were made large and elaborate to draw attention to the owner's adoption of this new technology, and the jetty appeared, as a way to show off the modernity of having a complete, full-length upper floor.
The style of large houses moved away from the defensive architecture of earlier moated manor houses, and started to be built more for aesthetics. For example, quadrangular, 'H' or 'E' shaped plans became more common. It was also fashionable for these larger buildings to incorporate "devices", or riddles, designed into the building, which served to demonstrate the owner's wit and to delight visitors. Occasionally these were Catholic symbols, for example, subtle or not so subtle references to the trinity, seen in three sided, triangular, or 'Y' shaped plans, designs or motifs.
The houses and buildings of ordinary people were typically timber framed, the frame usually filled with wattle and daub but occasionally with brick. These houses were also slower to adopt latest trends and the great hall continued to prevail. The Dissolution of the Monasteries provided surplus land, resulting in a small building boom, as well as a source of stone.
Read more about this topic: Tudor Architecture
Famous quotes containing the word domestic:
“Man makes very much such a nest for his domestic animals, of withered grass and fodder, as the squirrels and many other wild creatures do for themselves.”
—Henry David Thoreau (1817–1862)
“It is a thing which every sensible American should learn from every sensible Englishman, that glare and glitter, gimcracks and gewgaws, are not indispensable to domestic solacement.”
—Herman Melville (1819–1891)
“... feminism is a political term and it must be recognized as such: it is political in women’s terms. What are these terms? Essentially it means making connections: between personal power and economic power, between domestic oppression and labor exploitation, between plants and chemicals, feelings and theories; it means making connections between our inside worlds and the outside world.”
—Anica Vesel Mander, U.S. author and feminist, and Anne Kent Rush (b. 1945)