In Art
The triptych form arises from early Christian art, and was a popular standard format for altar paintings from the Middle Ages onwards. Its geographical range was from the eastern Byzantine churches to the English Celtic churches in the west. Renaissance painters and sculptors such as Hans Memling and Hieronymus Bosch used the form. Triptych forms also allow ease of transport.
From the Gothic period onward, both in Europe and elsewhere, altarpieces in churches and cathedrals were often in triptych form. One such cathedral with an altarpiece triptych is Llandaff Cathedral. The Cathedral of Our Lady in Antwerp, Belgium, contains two examples by Rubens, and Notre Dame de Paris is another example of the use of triptych in architecture. One can also see the form echoed by the structure of many ecclesiastical stained glass windows. Although strongly identified as an altarpiece form, triptychs outside that context have been created, some of the best-known examples being works by Hieronymus Bosch, Max Beckmann, and Francis Bacon.
Read more about this topic: Triptych
Famous quotes containing the word art:
“Thou art not fair, for all thy red and white,
For all those rosy ornaments in thee.
Thou art not sweet, though made of mere delight”
—Thomas Campion (1567–1620)
“In the wildest nature, there is not only the material of the most cultivated life, and a sort of anticipation of the last result, but a greater refinement already than is ever attained by man.... Nature is prepared to welcome into her scenery the finest work of human art, for she is herself an art so cunning that the artist never appears in his work.”
—Henry David Thoreau (1817–1862)