Music
Main article: Music of Trinidad and TobagoCalypso music developed together with Carnival. The chantuelle, who spoke for the band, evolved into the calypsonian (and other characters, such as the Midnight Robber). The music, which drew upon African and French influences, became the voice of the people. It allowed the masses to challenge the doings of the unelected Governor and Legislative Council, and the elected town councils of Port of Spain and San Fernando. As English replaced patois (Creole French) as the dominant language, calypso migrated into English, and in so doing it attracted more attention from the government. Calypso continued to play an important role in political expression, and also served to document the history of Trinidad and Tobago.
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Famous quotes containing the word music:
“There is a pleasure in the pathless woods,
There is a rapture on the lonely shore,
There is society where none intrudes
By the deep sea, and music in its roar:
I love not man the less, but nature more,”
—George Gordon Noel Byron (1788–1824)
“During the cattle drives, Texas cowboy music came into national significance. Its practical purpose is well known—it was used primarily to keep the herds quiet at night, for often a ballad sung loudly and continuously enough might prevent a stampede. However, the cowboy also sang because he liked to sing.... In this music of the range and trail is “the grayness of the prairies, the mournful minor note of a Texas norther, and a rhythm that fits the gait of the cowboy’s pony.””
—Administration in the State of Texa, U.S. public relief program (1935-1943)
“To know whether you are enjoying a piece of music or not you must see whether you find yourself looking at the advertisements of Pears’ soap at the end of the libretto.”
—Samuel Butler (1835–1902)