Characters
A few specific characters have evolved during the history of Trinidad and Tobago's Carnival. Among these characters are:
Pierrot Grenade – he gives speeches on issues of the day, all in rhyme
Minstrels – musicians acting as wandering minstrels, wearing white facepaint
Midnight Robber – his grandiose bragging is known as "robber talk," a style which evolved from African Griot storytellers
Jab Jab -
Jab is the French Patois for "Diable" (Devil), and Molassie is the French Patois for Mélasse (Molasses). The Jab Molassie is one of several varieties of devil mas played in Trinidad and Tobago carnival. The costume consists of short pants or pants cut off at the knee, and a mask and horns. The jab molassie would carry chains, and wear locks and keys around his waist, and carry a pitch fork. He may smear his body with grease, tar, mud or coloured dyes (red, green or blue). The jab molassie "wines" or gyrates to a rhythmic beat that is played on tins or pans by his imps. While some of his imps supply the music, others hold his chain, seemingly restraining him as he pulls against them in his wild dance.
The differences among the various forms of devil mas were once distinct, but have become blurred over time.
Dame Lorraine – an amply blessed woman – stuffed in the appropriate areas – dressed as an 18th-century French aristocrat
Read more about this topic: Trinidad And Tobago Carnival
Famous quotes containing the word characters:
“Animals are stylized characters in a kind of old saga—stylized because even the most acute of them have little leeway as they play out their parts.”
—Edward Hoagland (b. 1932)
“The Nature of Familiar Letters, written, as it were, to the Moment, while the Heart is agitated by Hopes and Fears, on Events undecided, must plead an Excuse for the Bulk of a Collection of this Kind. Mere Facts and Characters might be comprised in a much smaller Compass: But, would they be equally interesting?”
—Samuel Richardson (1689–1761)
“A criminal trial is like a Russian novel: it starts with exasperating slowness as the characters are introduced to a jury, then there are complications in the form of minor witnesses, the protagonist finally appears and contradictions arise to produce drama, and finally as both jury and spectators grow weary and confused the pace quickens, reaching its climax in passionate final argument.”
—Clifford Irving (b. 1930)