Points of Note
The Castle is noted for the part it played in the filming of the Mel Gibson directed film Braveheart.
In 2003 there was a controversy surrounding the decision by the Minister for the Environment, Heritage and Local Government Martin Cullen not to oppose the construction of a five-storey hotel across the road from the castle. The development had been condemned by a local councillor, a senior inspector in An Bord Pleanala (acting in a private capacity, and later choosing to withdraw his appeal lest it be considered a conflict of interest) and heritage bodies, many of whom had been critical of the government's treatment of other heritage sites such as Carrickmines Castle (the ruins of which were excavated partly to allow the completion of a roadway). The hotel was opened in August 2006. The recent addition of buildings (including offices for the OPW) outside the west side of the town has been even more visibly intrusive to the castle remains.
Read more about this topic: Trim Castle
Famous quotes containing the words points of, points and/or note:
“Sometimes apparent resemblances of character will bring two men together and for a certain time unite them. But their mistake gradually becomes evident, and they are astonished to find themselves not only far apart, but even repelled, in some sort, at all their points of contact.”
—Sébastien-Roch Nicolas De Chamfort (1741–1794)
“The dominant metaphor of conceptual relativism, that of differing points of view, seems to betray an underlying paradox. Different points of view make sense, but only if there is a common co-ordinate system on which to plot them; yet the existence of a common system belies the claim of dramatic incomparability.”
—Donald Davidson (b. 1917)
“What is line? It is life. A line must live at each point along its course in such a way that the artist’s presence makes itself felt above that of the model.... With the writer, line takes precedence over form and content. It runs through the words he assembles. It strikes a continuous note unperceived by ear or eye. It is, in a way, the soul’s style, and if the line ceases to have a life of its own, if it only describes an arabesque, the soul is missing and the writing dies.”
—Jean Cocteau (1889–1963)