Production
Sandi Simcha DuBowski was making videos about the Christian religious right when he began to examine his own upbringing as a gay Conservative Jew, and began making a personal video diary of his search for homosexuality among the Orthodox Jewish community. On the making of the film, DuBowski said, "I don't think it was until I met people who were kicked out of their families and their Yeshivas, in marriages betraying their spouses, that it became clear why I was doing this film. But then, for me it assumed an enormous level of responsibility to the people I met, to the issue, to the community." He met thousands of people, but only a few agreed to appear in the film, as most were too frightened of being expelled from their community. Even when interviewing those who did agree to appear, DuBowski had to hide his film equipment so their neighbors would not know that they had agreed to take part. As a result, the documentary took six years to complete.
There is no narration, and the film may be considered to be an example of cinéma vérité. The film is also interspersed with silhouetted tableaus of Jewish religious practices, for example Shabbat. The language is predominantly English, with passages in Yiddish and Hebrew that are subtitled. Also subtitled are passages with significant amounts of "Yeshivish", Yiddish-influenced technical terms in Judaism; for example, posek is translated as "judge on Jewish law", and daven is translated as "pray".
The title is an allusion to the word Haredi (Hebrew: חֲרֵדִי), which can be interpreted as "one who trembles" in awe of God. The spelling of the word G-d in the film's title reflects the Jewish practice of avoiding writing a name of God. By omitting the middle letter, the word is not written in full, thus eliminating the possibility of accidentally destroying the written name of God, which would violate one of the 613 Mitzvot of Judaism (number 8 on Maimonides' list).
Read more about this topic: Trembling Before G-d
Famous quotes containing the word production:
“Constant revolutionizing of production ... distinguish the bourgeois epoch from all earlier ones. All fixed, fast-frozen relations, with their train of ancient and venerable prejudices are swept away, all new-formed ones become antiquated before they can ossify. All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses, his real conditions of life, and his relations with his kind.”
—Karl Marx (1818–1883)
“The heart of man ever finds a constant succession of passions, so that the destroying and pulling down of one proves generally to be nothing else but the production and the setting up of another.”
—François, Duc De La Rochefoucauld (1613–1680)
“From the war of nature, from famine and death, the most exalted object which we are capable of conceiving, namely, the production of the higher animals, directly follows. There is grandeur in this view of life, with its several powers, having been breathed into a few forms or into one; and that, whilst this planet has gone cycling on according to the fixed law of gravity, from so simple a beginning endless forms most beautiful and most wonderful have been, and are being, evolved.”
—Charles Darwin (1809–1882)