The 3-D Process
The film used a single strip 3-D process which involved two 2:35:1 format images being printed onto one 4:3 frame of film, stacked one over the other. Traditionally, this process is known as the "over and under" process. This camera system was named the Marks 3-Depix StereoSpace Converter (though the film posters heralded it as both "SuperVision" and "WonderVision"). In order to be projected in the Polarization 3-D process and viewed with clear glasses, the film required a 3-Depix Reverser to re-order the over and under images into separate projections. Tony Anthony himself was credited with designing a relatively low cost projection lens which made the film marketable for general release.
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“A designer who is not also a couturier, who hasnt learned the most refined mysteries of physically creating his models, is like a sculptor who gives his drawings to another man, an artisan, to accomplish. For him the truncated process of creating will always be an interrupted act of love, and his style will bear the shame of it, the impoverishment.”
—Yves Saint Laurent (b. 1936)