Transition From Renaissance To Baroque In Instrumental Music
In the years centering around 1600 in Europe, several distinct shifts emerged in ways of thinking about the purposes, writing and performance of music. Partly these changes were revolutionary, deliberately instigated by a group of intellectuals in Florence known as the Camerata, and partly they were evolutionary, in that precursors of the new Baroque style can be found far back in the Renaissance, and the changes merely built on extant forms and practices. The transitions emanated from the cultural centers of northern Italy, then spread to Rome, France, Germany, and Spain, and lastly reached England. In terms of instrumental music, shifts in four discrete areas can be observed: idiomatic writing, texture, instrument use and orchestration.
Read more about Transition From Renaissance To Baroque In Instrumental Music: Instrumentation, Texture, Instrument Use and Aesthetics, Orchestration, See Also
Famous quotes containing the words transition from, transition, renaissance, baroque, instrumental and/or music:
“A transition from an author’s books to his conversation, is too often like an entrance into a large city, after a distant prospect. Remotely, we see nothing but spires of temples, and turrets of palaces, and imagine it the residence of splendor, grandeur, and magnificence; but, when we have passed the gates, we find it perplexed with narrow passages, disgraced with despicable cottages, embarrassed with obstructions, and clouded with smoke.”
—Samuel Johnson (1709–1784)
“A transition from an author’s books to his conversation, is too often like an entrance into a large city, after a distant prospect. Remotely, we see nothing but spires of temples, and turrets of palaces, and imagine it the residence of splendor, grandeur, and magnificence; but, when we have passed the gates, we find it perplexed with narrow passages, disgraced with despicable cottages, embarrassed with obstructions, and clouded with smoke.”
—Samuel Johnson (1709–1784)
“People nowadays like to be together not in the old-fashioned way of, say, mingling on the piazza of an Italian Renaissance city, but, instead, huddled together in traffic jams, bus queues, on escalators and so on. It’s a new kind of togetherness which may seem totally alien, but it’s the togetherness of modern technology.”
—J.G. (James Graham)
“The truth is that Mozart, Pascal, Boolean algebra, Shakespeare, parliamentary government, baroque churches, Newton, the emancipation of women, Kant, Marx, and Balanchine ballets don’t redeem what this particular civilization has wrought upon the world. The white race is the cancer of human history.”
—Susan Sontag (b. 1933)
“America owes most of its social prejudices to the exaggerated religious opinions of the different sects which were so instrumental in establishing the colonies.”
—James Fenimore Cooper (1789–1851)
“The harp that once through Tara’s halls The soul of music shed, Now hangs as mute on Tara’s walls As if that soul were fled.”
—Thomas Moore (1779–1852)