Influences and Style of Film-making
Trần's films are made so as to rebuild the image of Vietnam that he has lost when immigrating into France and to provide audience with another point of view on Vietnam while this topic has been long dominated by French and American cinema. The stories are based on Trần's knowledge about Vietnamese language and culture and (in the second and third films) his first-hand experience gained from trips to the country.
Trần is strongly influenced by French cinema and from some European and Japanese filmmakers, namely Bergman, Bresson, Kurosawa, Tarkovsky and Ozu.
Trần’s style of filmmaking is expressed through the claim: Art is the truth wearing mask (interview originally in Vietnamese). He denies the conventional story-telling style and pursues making films with a new language: to challenges the audience’s feeling, making them enjoy the films not with the critical reasoning but the body language.
Read more about this topic: Tran Anh Hung
Famous quotes containing the words influences and/or style:
“I dont believe in villains or heroes, only in right or wrong ways that individuals are taken, not by choice, but by necessity or by certain still uncomprehended influences in themselves, their circumstances and their antecedents.”
—Tennessee Williams (19141983)
“Compare the history of the novel to that of rock n roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. Material Differences, Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)