Aristotle's Tragic Hero
Aristotle established his view of what makes a tragic hero in Poetics. Aristotle suggests that a hero of a tragedy must evoke in the audience a sense of pity or fear, saying, “the change of fortune presented must not be the spectacle of a virtuous man brought from prosperity to adversity." He establishes the concept that the emotion of pity stems not from a person becoming better but when a person receives undeserved misfortune and fear comes when the misfortune befalls a man like us. This is why Aristotle points out the simple fact that, “The change of fortune should be not from bad to good, but, reversely, from good to bad.” Aristotle also establishes that the hero has to be “virtuous” that is to say he has to be "a morally blameless man” (article 82). The Hero's flaw is what will bring him not success, but death by the end of the work.
Aristotle contests that the tragic hero has to be a man “who is not eminently good and just, yet whose misfortune is brought about not by vice or depravity, but by some error or frailty.” He is not making the hero entirely good in which he can do no wrong but rather has the hero committing an injury or a great wrong leading to his misfortune. Aristotle is not contradicting himself saying that the hero has to be virtuous and yet not eminently good. Being eminently good is a moral specification to the fact that he is virtuous. He still has to be - to some degree - good. Aristotle adds another qualification to that of being virtuous but not entirely good when he says, “He must be one who is highly renowned and prosperous.” He goes on to give examples such as Oedipus and Thyestes.”
Read more about this topic: Tragic Hero
Famous quotes containing the words aristotle, tragic and/or hero:
“Through Plato Aristotle came to believe in God, but Plato never attempted to prove His reality. Aristotle had to do so. Plato contemplated Him; Aristotle produced arguments to demonstrate Him. Plato never defined Him, but Aristotle thought God through logically and concluded with entire satisfaction to himself that He was the Unmoved Mover.”
—Edith Hamilton (1867–1963)
“It is not possible, for a poet, writing in any language, to protect himself from the tragic elements in human life.... [ellipsis in source] Illness, old age, and death—subjects as ancient as humanity—these are the subjects that the poet must speak of very nearly from the first moment that he begins to speak.”
—Louise Bogan (1897–1970)
“The hero is a feeling, a man seen
As if the eye was an emotion,
As if in seeing we saw our feeling
In the object seen and saved that mystic
Against the sight, the penetrating,
Pure eye.”
—Wallace Stevens (1879–1955)