Trading Places (song) - Background and Composition

Background and Composition

"Trading Places" was written by The-Dream, Carlos "Los Da Mystro" McKinney and Usher, and produced by McKinney, while Jaycen Joshua mixed the record. The song was recorded at Music Line Studio, Triangle Sound Studios and Chalice Recording Studios, and was released on October 17, 2008.

"Trading Places" is a slow-tempo R&B ballad, and contains influences of hip hop music. McKinney used the drums that appear in J. Holiday's "Bed"; "Trading Places" also uses guitar instrumentation. The theme of the song surrounds role reversal in a relationship, predominantly in sexual situations, with its hook consisting of the lyrics, "I'm always on the top, tonight I'm on the bottom / 'cause we trading places". Usher described the song's idea as "wishful thinking for all men to have a woman who takes control and compliments us the way we compliment them", and Steve Jones of USA Today saw the song as a way for Usher to "satisfy his inner freak ... within the confines of marriage." Angela Barrett of Rap-Up noted "Trading Places" as a male version of "Cater 2 U" (2004) by Destiny's Child.

Read more about this topic:  Trading Places (song)

Famous quotes containing the words background and, background and/or composition:

    ... every experience in life enriches one’s background and should teach valuable lessons.
    Mary Barnett Gilson (1877–?)

    I had many problems in my conduct of the office being contrasted with President Kennedy’s conduct in the office, with my manner of dealing with things and his manner, with my accent and his accent, with my background and his background. He was a great public hero, and anything I did that someone didn’t approve of, they would always feel that President Kennedy wouldn’t have done that.
    Lyndon Baines Johnson (1908–1973)

    Boswell, when he speaks of his Life of Johnson, calls it my magnum opus, but it may more properly be called his opera, for it is truly a composition founded on a true story, in which there is a hero with a number of subordinate characters, and an alternate succession of recitative and airs of various tone and effect, all however in delightful animation.
    James Boswell (1740–1795)