Reception
Roger Ebert began his review of Election by noting, "I remember students like Tracy Flick, the know-it-all who always has her hand in the air, while the teacher desperately looks for someone else to call on. In fact, I was a student like Tracy Flick." He goes on to compare Tracy to Elizabeth Dole: "a person who always seems to be presenting you with a logical puzzle for which she is the answer... She is always perfectly dressed and groomed, and is usually able to conceal her hot temper behind a facade of maddening cheerfulness. But she is ruthless. She reminds me of a saying attributed to David Merrick: 'It is not enough for me to win. My enemies must lose.'"
A 2006 profile of the character in The Washington Post called her "wonderfully monstrous." "In 's study of her pathologies, Tracy's will is so fiery and her perfection so total that no one dares stand against her in her goal." The Stranger wrote, "Like Humbert Humbert, the Reverend Harry Powell, and Baby Jane Hudson before her, Tracy Flick is a real and lasting contribution to the cinematic understanding of the villain, and the feather in Witherspoon's cap."
Read more about this topic: Tracy Flick
Famous quotes containing the word reception:
“To aim to convert a man by miracles is a profanation of the soul. A true conversion, a true Christ, is now, as always, to be made by the reception of beautiful sentiments.”
—Ralph Waldo Emerson (1803–1882)
“He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!”
—Billy Wilder (b. 1906)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)